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A friend recommended Bryce Courtenay's “The Power of One” at a time when I was in the doldrums. No novel could have worked better to lift my spirits.
Set in South Africa during the Second World War, it is a coming-of-age story of Peekay, a precocious 5-year-old child. While the world was being terrorized by Hitler, Peekay was terrorized by the Judge (an older peer) in boarding school for being a rooinek (English speaking South African). His abject helplessness, given his pint-size stature and age, was juxtaposed against the comfort he drew from his African wet nurse and a pet rooster he affectionately named Grandpa Chook. Part I of the story was told with a generous dose of sweet childlike humor even as Peekay learned through his humiliation that “in each of us there burns a flame of independence that must never be allowed to go out” and that “as long as it exists within us we cannot be destroyed”.
The novel also attests to the power of significant others who can make a difference to disadvantaged individuals and contribute to resilience. Peekay had three mentors who shaped his ambition, nurtured his talents, and taught him independence. The power of one germinated from a mustard seed sown by Hoppie Groenewald, a boxer who helped little Peekay realize that “small can beat big.” Hoppie launched Peekay’s dream to become the welterweight champion of the world. A German professor, von Vollensteen (Doc), gave him piano lessons and stretched him intellectually. Geel Piet, a Cape Colored prisoner, coached him in boxing. What is truly lovely is the way diversity was celebrated in the novel. Despite racism that pervaded South Africa at that time, there were exhilarating moments when the bond between the non-natives and the tribes in South Africa grew tentatively and then gathered strength. It was best expressed in Doc’s composition and presentation of the Concerto of the Great Southland, dedicated to all the prison tribes. In this, the power of one took on a whole new dimension.
Part II, however, was less convincing. Peekay as portrayed in his adolescent years had a maturity that seemed unreal and excessive even for a precocious youth. His social confidence was also out of sync with his sheltered experience of having been socialized solely in the company of adults.
Part III was satisfying although a tad disappointing. But what I found touching was Peekay’s friendship with Rasputin, the non-English speaking Russian timber man who worked the copper mines. There was poetic justice when Peekay avenged the untimely death of Grandpa Chook. But what became of Peekay’s long held dream? Perhaps, the fulfilment of this dream was implied. Perhaps, what was more important was for the power of one to culminate in that one defining moment when Peekay finally stood up to the Judge.
There were gems for living strewn throughout the novel. When I was feeling down, it was good to be reminded by Peekay’s nanny that "Sadness has a season and will pass." I also appreciated what Doc told the weeping boy Peekay when they first made their acquaintance in the hills, "No matter what has happened bad, today I'm finished from being sad. Absoloodle!"
“The Power of One” is “absoloodly” inspiring. A story exceeedingly well told.
Set in South Africa during the Second World War, it is a coming-of-age story of Peekay, a precocious 5-year-old child. While the world was being terrorized by Hitler, Peekay was terrorized by the Judge (an older peer) in boarding school for being a rooinek (English speaking South African). His abject helplessness, given his pint-size stature and age, was juxtaposed against the comfort he drew from his African wet nurse and a pet rooster he affectionately named Grandpa Chook. Part I of the story was told with a generous dose of sweet childlike humor even as Peekay learned through his humiliation that “in each of us there burns a flame of independence that must never be allowed to go out” and that “as long as it exists within us we cannot be destroyed”.
The novel also attests to the power of significant others who can make a difference to disadvantaged individuals and contribute to resilience. Peekay had three mentors who shaped his ambition, nurtured his talents, and taught him independence. The power of one germinated from a mustard seed sown by Hoppie Groenewald, a boxer who helped little Peekay realize that “small can beat big.” Hoppie launched Peekay’s dream to become the welterweight champion of the world. A German professor, von Vollensteen (Doc), gave him piano lessons and stretched him intellectually. Geel Piet, a Cape Colored prisoner, coached him in boxing. What is truly lovely is the way diversity was celebrated in the novel. Despite racism that pervaded South Africa at that time, there were exhilarating moments when the bond between the non-natives and the tribes in South Africa grew tentatively and then gathered strength. It was best expressed in Doc’s composition and presentation of the Concerto of the Great Southland, dedicated to all the prison tribes. In this, the power of one took on a whole new dimension.
Part II, however, was less convincing. Peekay as portrayed in his adolescent years had a maturity that seemed unreal and excessive even for a precocious youth. His social confidence was also out of sync with his sheltered experience of having been socialized solely in the company of adults.
Part III was satisfying although a tad disappointing. But what I found touching was Peekay’s friendship with Rasputin, the non-English speaking Russian timber man who worked the copper mines. There was poetic justice when Peekay avenged the untimely death of Grandpa Chook. But what became of Peekay’s long held dream? Perhaps, the fulfilment of this dream was implied. Perhaps, what was more important was for the power of one to culminate in that one defining moment when Peekay finally stood up to the Judge.
There were gems for living strewn throughout the novel. When I was feeling down, it was good to be reminded by Peekay’s nanny that "Sadness has a season and will pass." I also appreciated what Doc told the weeping boy Peekay when they first made their acquaintance in the hills, "No matter what has happened bad, today I'm finished from being sad. Absoloodle!"
“The Power of One” is “absoloodly” inspiring. A story exceeedingly well told.