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I was impressed by the range of historical detail in this book-- from button-making to child labor to the circus to the character of various London neighborhoods. And of course William Blake, whose "Songs of Innocence" and "Songs of Experience" are a central theme. I agree with others that Chevalier's themes can be heavy-handed, and it would have been nice to get more than a glimpse of Blake. But I found the fictional story engaging enough that having Blake in a supporting role was acceptable... and perhaps even effective at giving him a mysterious persona? The ending is not a complete resolution, but it's totally in line with the "opposites" theme, and I was relieved by how much happier it was than the heart-breaking Falling Angels. This might be my all-around favorite Chevalier novel, even if certain elements were done better in her other works.