Sometimes over my head, but worth it.

I enjoyed this book a lot, and it helped me understand the "mythmakers" on a deeper level.
It was simple and cursory, but will be of great help to anyone looking for something basic on these authors. I leave it with four stars because I felt there was much unexplored potential in this book. It was very good and I'd recommend it, but perhaps not one that I'd say "blew my mind".

The critique on Lewis's ending of Perelandra left a bad taste in my mouth as well. Mr. Hein's critique of Lewis on this point shook his credibility for me. I know Lewis's writing is by no means "sacred" or "untouchable", but I got the feeling that Mr. Hein missed the point to some degree.

Good

While the appeal for this book may not be universal, those for whom it does hold appeal will love it. Hein creates a framework of what myth looks like and tries to achieve in terms of portraying reality in a story setting, then connects those ideas to some master writers. His insights on each are clear, accessible, and profound, showing a deep appreciation for this group through intelligent study of their writings. Clearly, Lewis is is favorite; anyone who ever knew Lewis (3 of the other authors discussed) all feature sections on how they influenced Lewis, or he them. But who can blame him? Lewis is amazing. Highly recommended for critical research or the Lewis/Tolkien superfan.

The very best books, in my opinion, are the ones that lead me to read many other very good books. Two examples of this sort par excellence are Francine Prose's Reading like a Writer and Stephen Cox's The New Testament and Literature. From them, I received not only the pleasure of those authors' well-written work, but also was turned on to many, many other works that have brought me varying levels of joy.

I have read at least some of the work of most of the writers discussed in Rolland Hein's Christian Mythmakers; having read this book, though, I now have a whole new list of to-reads by authors both beloved and new-to-me. I had forgotten that C.S. Lewis wrote a Space Trilogy and that I still had never read Gilbert Keith's Manalive. Man, it's going to be a busy reading season for me! Bring on the rainy days and cups of tea! Jack understands.

Much like the best of these works of literary criticism, Christian Mythmakers is delightful to read in and of itself. Mr. Hein fills the introduction with his contentions about the importance of myth and the role it plays in filling that "pervasive yearning after the eternal" that is called Sehnsucht. All myth, including Christian myth, follows patterns of "creation, fall, redemption, and apocalypse" while exploring themes of "struggle, calling, renunciation, and deliverance." Because these are the eternal ideas and conflicts that define the human experience, we find truth in mythos, the stories we create, because they reflect the Truth of the Story that created us. Christian mythmakers, Hein asserts, hold a special place among storytellers, shaped and defined as they are by ever-revelatory Word that both is and is from God.

Especially interesting to me were the chapters on two of the most enigmatic of the writers -- the most symbolic, the least allegorical. These, to my mind, are George MacDonald and Charles Williams. I have read Mr. MacDonald's Phantastes and several of his short story/novella collections. I have not yet read anything by Charles Williams, though I think I once may have downloaded a freebie by him onto Kindle, but then turned away from what little I read in confusion and dismay. Mr. Hein's book has heartened me to read more by Mr. MacDonald (perhaps finally getting through The Princess and the Goblin) and given me the impetus to tackle Mr. Williams at last.

In writing about C.S. Lewis, Mr. Hein eschews the easy route of writing about Lewis's Narnia series, and he instead focuses on some of the more difficult in Lewis's oeuvre, the Space Trilogy and Till We Have Faces. This was a good call, I think, because, much as I love and adore Narnia, it never really achieves that other worldly/alternate reality feel of Tolkien's Lord of the Ring Trilogy or that Lewis's own Till We Have Faces does. Narnia, wonderful land that it is, has seemed to me as an adult visitor, to be mostly an idealized Medieval England with awesome talking animals and some more mythical and supernatural creatures thrown in. Believe me, that is why I feel so much more comfortable there than I ever have in Tolkien's Middle Earth or the strange pre-Christian landscape of Faces. But, it is easier to get a hold of; therefore, it was less necessary that Mr. Hein write about it in this lovely book.

If you are drawn to story, especially stories that dance alongside and reflect a bit of the light of the Story; that is, if you agree with Mr. Hein, Mr. Tolkien, Mr. Lewis, and me that "myth is integral to the completeness of our being," then I heartily and gladly recommend this book to you.

I was desiring to read Rolland Hein's 1998 Christian Mythmakers: C.S. Lewis, Madeleine L'Engle, J.R.R. Tolkien, George MacDonald, G.K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard (and wow, what a hugely lengthy book heading) because I was looking for specific and detailed information about Madeleine L'Engle (and I naturally kind of was assuming that L'Engle and her oeuvre would indeed be very prominently featured in Hein's text considering that in the book title he mentions L'Engle right after C.S. Lewis, as basically the second author). So you can and should imagine my surprise and unpleasant sensation of frustration when I realised that in Christian Mythmakers: C.S. Lewis, Madeleine L'Engle, J.R.R. Tolkien, George MacDonald, G.K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard Rolland Hein actually and in fact does not even devote an entire chapter to Madeleine L'Engle's writing (and in fact only very little textual space, period), albeit her name in the book heading appears even before J.R.R. Tolkien (which in my humble opinion makes the book title totally misleading and makes me equally feel negative towards author Rolland Hein right from the start, oh yeah, and in Christian Mythmakers: C.S. Lewis, Madeleine L'Engle, J.R.R. Tolkien, George MacDonald, G.K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard, Rolland Hein also totally ignores C.S. Lewis' Narnia series, and honestly, what the heck is that supposed to mean).

And yes, after now having read (or rather having skimmed through) Christian Mythmakers: C.S. Lewis, Madeleine L'Engle, J.R.R. Tolkien, George MacDonald, G.K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard, and Rolland Hein's above mentioned unsuitable and misleading book heading notwithstanding, this book really and totally just does not at all work for me. Because aside of my annoyance regarding how very little is textually presented by Rolland Hein on Madeleine L'Engle and her writing (even though she is so prominently displayed in the book heading), Hein's narrow focus on symbolism instead of on plot and on story (which are definitely majorly and absolutely essential for C.S. Lewis, Madeline L'Engle and J.R.R. Tolkien in particular), this really has made me totally and actively despise Rolland Hein's featured text and to the point that for me Christian Mythmakers: C.S. Lewis, Madeleine L'Engle, J.R.R. Tolkien, George MacDonald, G.K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard has been ridiculous, patently unreadable and as such only one star (and also a rating I am giving with no feelings of either guilt or contrition whatsoever).

The author compares and contrasts the works of Bunyan's Pilgrims Progress and authors such as C.S. Lewis, Tolkien and George McDonald. Illustrates the difference between myth, fairy and folk tales and how these authors related them to their Christian faith.

This is one of those books that you read and then have 50+ new books to read.

While this had some good points and excellent moments, overall it did not work for me. Part of the problem would come with any kind of scholarly examination of mythic fiction - by examining the symbols, it strips them of their magic, reducing and flattening them to mere objects. Hein does his utmost to avoid this, but the nature of the work itself forced it. The other problem came about due to his narrow focus on the symbolism within the various works to the exclusion of story. It's the story - or Story, as Lewis or L'Engle (or I) would insist on calling it - that drives these works, not the symbols. The symbols must fit within the framework of the Story, the story is not crafted around the symbol, and Hein's approach seemed to take the latter view.

A book that is useful in many ways, but ultimately failed for me. I think I would much rather read the stories themselves and steep in them rather than read an essay which picks apart their symbolism.

Hein's love for the authors with whom he deals is unquestionable, and of course that makes for a good review and reminder of good works one knows, as well as a possible introduction to works one doesn't. Unfortunately, his argument is less than original (basically it is viewing writers in Lewis's tradition explicitly through Lewis's ideas) and his aesthetic judgements are often perplexing.
The book does have some real merit, and if one is in love with some of these authors or wishes to know them better, I wouldn't want to discourage it. I probably wouldn't have rated it so poorly if I hadn't expected something more from something with a title like this.

Through the centuries, there have been Christian writers who have captured the essence of mythology to reveal spiritual truths. Their stories spark a new level of awareness in our imaginations and deeply touch our hearts. Through these Christian myths, we understand ourselves and our relationship with God in a new light.

This book explores deep insights about the works of Dante, John Bunyan, George MacDonald, Chesterton, Charles Williams, Tolkien, and C.S. Lewis. There are also shorter explorations of the works of Madeline L'Engle, Hurnard, and a few other more modern writers. It's wonderful to see how each of these authors followed in the footsteps of those who came before.

I loved the writing style in this book! It has all the scholarly research behind it, but the writing itself is powerful and inspiring. It tugs at your heart and lifts your spirit to realms beyond the world we know. It's not just about intellectually understanding the power of myth to kindle our imaginations; it's about experiencing that inner fire and refreshment of spirit.

I really enjoyed that this book continually points to God as the Author of all stories. We create stories and myths because He created us in His image, with the ability to sub-create and imagine and dream.

This book contains spoilers for all the major works of these authors, but each section is clearly marked, so if you don't want to get spoiled, it is easy to skip ahead. However, this book would be best enjoyed by readers who are already familiar with at least some of these famous authors. A major part of the book is spent in analyzing Dante's Divine Comedy, Pilgrim's Progress, The Princess and Curdie, Phantastes and Lilith, The Man Who Was Thursday, The Lord of the Rings, and Lewis' Space Trilogy and Chronicles of Narnia, as well as L'Engle's Wrinkle in Time series. If you are totally unfamiliar with those and other works by the featured authors, you will miss a lot of the insights and shrewd observations in this book.

While reading all about these authors, I got motivated to go back and reread some of their works! I want to read Pilgrim's Progress again for sure. I feel like I will come to each story with a new perspective now.
I especially want to reread Lewis' Till We Have Faces again. The first time I read it, I don't think I really understood a lot of it. But now I will be able to see the nuances and hidden meanings of the mythology in the story!

Rolland Hein is not a common name. However, He in is a very popular name of the Black Forest of what in now southern Germany. The next stop for the Rolland He in family tree was Alsace Lorraine an area between France and Germany. The family tree then went to Great Britain and Ireland. In the early 1400's the Hein family traveled to Nova Scotia and boated down the Hudson River until they arrived in eastern Pennsylvanian. The town of Bethlehem at the beginning of WW I, had become larger with many forms of the He in name. Suffice to say there are many branches of the family throughout the US. After many years and many marriages a DNA study was accomplished by selecting members of the family from different parts of the US to find that our family tree has black, red, yellow sand white on the limbs. I suspect that many families across North America are similar in nature...DEH