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One must follow the role of an uninvited visitor—an intruder—rather than that of an aggressive hunter, and one should go unarmed to insure this attitude.
We were in Newfoundland a year ago, a lovely holiday and upon the world's most uncomfortable couch I found reruns of Northern Exposure. I loved the show back in its heyday. It appeared apt, especially the episode where on Thanksgiving the First nation people through tomatoes at the white people. A few months after that, we returned from Serbia to discover that Amazon Prime now had all of Northern Exposure in its content vault. I then viewed every episode. Thus, I was intrigued by McPhee's description of the eccentrics who leave the "Lower 48" and venture north. There are three sections, the first dealing with a canoe and kayak trip rife with conversation about conservation and bear attacks. The second details urban Alaska and political tensions; this crystallized in ballot measure to move the state capitol. The final section is a series of portraits which in juxtaposition create an Alaskan mesh, forever in disunion.
Was I ever disappointed! Perhaps the blame should rest with me, if only partially. I just recoiled from the arrogance, intentional or not. I enjoyed the sections detailing bush pilots but disliked nearly everything else.
We were in Newfoundland a year ago, a lovely holiday and upon the world's most uncomfortable couch I found reruns of Northern Exposure. I loved the show back in its heyday. It appeared apt, especially the episode where on Thanksgiving the First nation people through tomatoes at the white people. A few months after that, we returned from Serbia to discover that Amazon Prime now had all of Northern Exposure in its content vault. I then viewed every episode. Thus, I was intrigued by McPhee's description of the eccentrics who leave the "Lower 48" and venture north. There are three sections, the first dealing with a canoe and kayak trip rife with conversation about conservation and bear attacks. The second details urban Alaska and political tensions; this crystallized in ballot measure to move the state capitol. The final section is a series of portraits which in juxtaposition create an Alaskan mesh, forever in disunion.
Was I ever disappointed! Perhaps the blame should rest with me, if only partially. I just recoiled from the arrogance, intentional or not. I enjoyed the sections detailing bush pilots but disliked nearly everything else.