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I have read most of Edith Wharton’s novels, but not The Buccaneers, perhaps because of an unconscious—and rather unsophisticated, when I think about it—distaste for unfinished works of fiction. (Stevenson’s wonderful Weir of Hermiston recently cured me of that.)
The Buccaneers was Wharton’s last novel, left unfinished at her death in 1937. Curiously, it was completed by a Wharton biographer and novelist, Marion Mainwaring, in 1993 (more on that later), so you can now read it “whole.”
One issue about publishing work left unfinished by the author—I remember much discussion of this with Italo Calvino—is that books may be published that would never have made it through a writer’s rigorous quality controls. I felt that a little reading The Buccaneers, which is not a bad novel at all (at least the portion written by Wharton), but which didn’t seem to me to be up to Wharton’s usual meticulous standard of finish. I recently read her short story, “Roman Fever,” and I was very struck by her Austen-like minimalism and formal control. The Buccaneers is much looser and more diffuse.
In terms of themes, the novel is in the Jamesian vein of “New World meets Old.” Specifically, it explores the social comedy, and tragedy, resulting from five feisty, new money, New York heiresses hitting London and snaffling up husbands, in the form of a series of titled chinless wonders. It seems a strangely belated subject to be writing about in the 1930s, and Wharton here shows little of the relentless incisiveness she did examining similar themes in The Custom of the Country (1913). It has the feel of a nostalgia piece, almost Downton Abbey at points (the TV series, not the superb Altman film). Although that’s perhaps a little unfair—there’s a nice, show stealing Wilkie Collins-like governess figure, Laura Testvalley, aka Testavaglia, daughter of a line of Italian revolutionaries, who rather lit up the novel for me in every scene she was in.
As for Marion Mainwaring’s continuation...probably the less said the better. All it demonstrates is how much stronger even a lesser work by a great writer is than the best effort of a well-meaning but misguided hack. It’s crude, crass, and gushing. The Buccaneers would have been much better served by being left as an intriguing, if crumbling ruin.
The Buccaneers was Wharton’s last novel, left unfinished at her death in 1937. Curiously, it was completed by a Wharton biographer and novelist, Marion Mainwaring, in 1993 (more on that later), so you can now read it “whole.”
One issue about publishing work left unfinished by the author—I remember much discussion of this with Italo Calvino—is that books may be published that would never have made it through a writer’s rigorous quality controls. I felt that a little reading The Buccaneers, which is not a bad novel at all (at least the portion written by Wharton), but which didn’t seem to me to be up to Wharton’s usual meticulous standard of finish. I recently read her short story, “Roman Fever,” and I was very struck by her Austen-like minimalism and formal control. The Buccaneers is much looser and more diffuse.
In terms of themes, the novel is in the Jamesian vein of “New World meets Old.” Specifically, it explores the social comedy, and tragedy, resulting from five feisty, new money, New York heiresses hitting London and snaffling up husbands, in the form of a series of titled chinless wonders. It seems a strangely belated subject to be writing about in the 1930s, and Wharton here shows little of the relentless incisiveness she did examining similar themes in The Custom of the Country (1913). It has the feel of a nostalgia piece, almost Downton Abbey at points (the TV series, not the superb Altman film). Although that’s perhaps a little unfair—there’s a nice, show stealing Wilkie Collins-like governess figure, Laura Testvalley, aka Testavaglia, daughter of a line of Italian revolutionaries, who rather lit up the novel for me in every scene she was in.
As for Marion Mainwaring’s continuation...probably the less said the better. All it demonstrates is how much stronger even a lesser work by a great writer is than the best effort of a well-meaning but misguided hack. It’s crude, crass, and gushing. The Buccaneers would have been much better served by being left as an intriguing, if crumbling ruin.