Community Reviews

Rating(3.9 / 5.0, 98 votes)
5 stars
26(27%)
4 stars
34(35%)
3 stars
38(39%)
2 stars
0(0%)
1 stars
0(0%)
98 reviews
April 25,2025
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Credevo di aver dato già importanti primi posti a quelli che ti fanno a pezzi. Invece no.
Mi unisco alla schiera di quelli che "uno dei miei libri preferiti"? Assolutamente sì. C'è tutto quello che ci serve ricordare qui dentro.
April 25,2025
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Chandler's unabashed masterpiece, this novel is his only work to truly transcend the pulp genre and rank as first-rate literature. All of Chandler's books have gorgeous language and bafflingly labyrinthine plots, but this one stands out because of the author's poignant willingness to stare into his own soul. His stalwart, incorruptible hero Marlowe is hired to guard a washed-up, alcoholic, self-loathing writer who derides his own work as trash, and it's hard not to see the troubled Raymond Chandler in that character. This was the second-to-last Marlowe novel Chandler ever completed, and there's a forlorn air of melancholy around the whole thing. It's the best American detective novel, bar none, and the literary equivalent of an Edward Hopper painting.
April 25,2025
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Marlow is back and drawn into the nightmare world of rich alcoholics, adulterers, and of course, of murder. A solid Philip Marlow story full of twists and ever increasing complications that kept me there right to the end. I enjoyed the experience even I felt it was a tad too long and the Marlow of the books never seems as powerful a character as the one that I got from the movies in my youth.
April 25,2025
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The Lomg Goodbye is a Noir genre by American author Raymond Chandler. The book was boring for the first half but gets good in the second half.
April 25,2025
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This was recommended to me and I wanted to love it but, it doesn’t pick up until page 150. I felt like putting this book down so many times, I don’t understand the 4.08 overall rating. I’m giving it 3 ⭐️’s for the twists and turns, I did not expect the ending. The Long Goodbye was indeed a long goodbye, read, and could have been 100 pages shorter. The last 50 pages were excruciating There were 3 times I thought the story was picking up and then I would go back to being disappointed.
April 25,2025
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Chandler wrote tighter, tougher books, but this one was his masterpiece. I'd been pulled into loving noir by Hammett & W. R. Burnett but they didn't write like Chandler. The Long Goodbye has all the best snappy dialog and constant menace, but it had something more. It was cynical poetry, it had the brittleness and immediacy of the "existential", as we used to call it.

It had a thoroughly adult, disillusioned worldview but it also had a hero who refused to renounce his principles, even when his principles brought him nothing but grief. Marlowe's loyalty and friendship are wasted on the unworthy Terry Lennox. His best efforts are for naught on the blocked writer Roger Wade. His attractions are wasted on Wade's guileful wife.

All the little details of the book added to its luster. The $5,000 bill Lennox gives Marlowe to get him to Tijuana, the fussing about the right way to make a gimlet with the bartender, Marlowe punching Mendy Menendez in the gut out of sheer frustration. And the lyrical, cynical passages about L.A., about the cops, about the aging Marlowe himself are priceless. And it's true about the book being semi-autobiographical. The alcoholic, blocked writer Roger Wade is Chandler. Never a prolific author, we're all glad Chandler got this one written.
April 25,2025
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Bufff, qué experiencia. Ha sido como retroceder en el tiempo. Qué casposo todo.

¿Qué tiene Raymond Chandler para haberse convertido en una figura de la literatura, aunque sea de la literatura más popular? Quizás haya que leerlo con la mentalidad de los años 50. Quizás en su día fue novedoso, con ese estilo que ahora nos parece que no puede estar más cargado de clichés. No lo sé. Pero hoy me parece insufrible.

Clichés, clichés y más clichés, aderezados con varios toques de misoginia aquí y allá. Detective inteligente (mejor sería decir clarividente) y cínico, duro y mordaz, honrado y de vuelta de todo. Humphrey Bogart. Mujeres fatales. Lauren Bacall, o Rita Hayworth. Diálogos forzados e irreales, cargados de ironía, y un guión que parece de comedia de enredo aunque la comedia aquí se reduzca a algún que otro comentario cínico de vez en cuando. Mujeres de infarto (aquí lo son todas) que igual se tiran de repente a tus brazos como te dan un tortazo, para luego estallar en lágrimas y a los cinco minutos volver a ser frías como el hielo. Sí, todo muy normal, como la vida misma. Ah, sí, y muertos aquí y allá, para ir aderezando el cotarro. Qué mal le han sentado los últimos 70 años a este tipo de historias…

Lo siento, pero no, no me ha gustado lo más mínimo. Ya he conocido a Raymond Chandler, aunque no puedo decir que esté encantado de haberlo hecho. Hasta la vista, señor Chandler.
April 25,2025
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This appears to be the longest of Chandler's Marlowe novels, and is reputed in the author's opinion to be his best work. For me, it certainly gave itself space for a complex web of stories, and some twists and turns.

As a fan of Marlowe / Chandler, this marks one book closer to the end, which makes me kind of sad, so while it took me far less time to read than his others (only two part days - but being home from work with a cold, and no distractions allowed me this), I savoured the reading of this.
As we come to expect from Chandler, it was superbly crafted, brilliantly atmospheric, and inspired of narrative. It also offered more judgement, or social commentary than I was aware of in the previous books.

There are other reviews which examine the story line in more detail, so only a brief outline for me, then some quotes I enjoyed.

By chance Marlowe picks up a man off the pavement, sobers him up and puts him on a better pathway. Terry Lennox is his name, and his divorced from, then re-married to a wealthy wife. Suddenly Lennox needs help to disappear to Mexico, and Marlowe is in the felony tank, getting leaned on for his statement related to the murder of Lennox's wife. Unable to find it within himself to cooperate with the police, Marlowe is finally released when Lennox commits suicide leaving a written confession. Something feels off to Marlowe, but its not the only job he has on.

Quotes - here are a few example of the social commentary I mentioned:(FYI I didn't write them all out, I made the most of the quotes available on Goodreads)

n  
A man who drinks too much on occasion is still the same man as he was sober. An alcoholic, a real alcoholic, is not the same man at all. You can't predict anything about him for sure except that he will be someone you never met before.
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Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.
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There ain't no clean way to make a hundred million bucks.... Somewhere along the line guys got pushed to the wall, nice little businesses got the ground cut out from under them... Decent people lost their jobs.... Big money is big power and big power gets used wrong. It's the system.
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Maybe it's the TV commercials. They make you hate everything they try to sell. God, they must think the public is a halfwit. Every time some jerk in a white coat with a stethoscope hanging around his neck holds up some toothpaste or a pack of cigarettes or a bottle of beer or a mouthwash or a jar of shampoo or a little box of something that makes a fat wrestler smell like mountain lilac I always make note never to buy any. Hell, I wouldn't buy the product even if I liked it.
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Let the law enforcement people do their own dirty work. Let the lawyers work it out. They write the laws for other lawyers to dissect in front of other lawyers to dissect in front of other lawyers called judges so that other judges can say the first judges were wrong and the Supreme Court can say the second lot were wrong. Sure there’s such as a thing as law. We’re up to our necks in it. About all it does is make business for lawyers. How long do you think the big-shot mobsters would last if the lawyers didn’t show them how to operate?
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"You’re a damn good cop, Bernie, but just the same you’re all wet. In one way cops are all the same. They blame the wrong things. If a guy loses his pay-cheque at a crap table, stop gambling. If he gets drunk, stop liquor. If he kills someone is a car crash, stop making automobiles. If he gets pinched with a girl in a hotel room, stop sexual intercourse. If he falls downstairs, stop building houses...
We don't have mobs and crime syndicates and goon squads because we have crooked politicians and their stooges in City Hall and the legislatures. Crime isn’t a disease, it’s a symptom. Cops are like a doctor that gives you aspirin for a brain tumor, except that the cop would rather cure it with a blackjack. We’re a big tough rich wild people and crime is the price we pay for it, and organized crime is the price we pay for organization. We’ll have it with us for a long time. Organized crime is just the dirty side of the sharp dollar."
n


These quotes are just great:

n  
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.
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There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
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The French have a phrase for it. The bastards have a phrase for everything and they are always right. To say goodbye is to die a little.
n


Yeah, I got a bit carried away - tldr.

5 stars
April 25,2025
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I’ve read all of Raymond Chandler’s Philip Marlowe books at least twice. Most of my questions about him were already settled. Yes, he was the single greatest master of the Noir detective tale, edging both of his close competitors, Hammett and Cain. And yes, he was a literary genius who transcended the genre ghetto, turning pulp into literary masterpieces. (Chandler is an American Dostoevsky with a more economical word count and snappier dialogue.) All that remained to be settled was whether his single greatest masterpiece was The Big Sleep or The Long Goodbye.

So this month I reread both books, my third time through each. Both are brilliant. But I no longer have a question. The Long Goodbye is Chandler’s best, and it’s not close.

The Long Goodbye focuses on the personal. It begins not with a case, but with a friendship gone sideways. The familiar noir furnishings — brutal cops, venal politicians, swaggering wise guys, the idle rich — all are here, but function to reflect Marlowe’s despair. His cracking wise, mulishness, and bravado are all the defense he has against a tainted world. “I was as hollow and empty as the space between the stars,” says Marlowe. The Long Goodbye is his Dark Night of the Soul.

April 25,2025
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"لدى الفرنسيين عبارة تصف ذلك. الأوغاد لديهم وصف كل شيء وهم دائماً على حق:
أن تقول الوداع هو أن تموت قليلاً."

قرأت هذه الرواية بسبب "هاروكي موراكامي" الذي قال أنه قرأها فوق الستة مرات، وترجمها إلى اليابانية لشدة تأثره بأسلوبه، وبعدما انهيت الرواية نسيت هاروكي ووجدتني أقول لماذا لم نسمع بريموند تشاندلر كثيراً ويُذاع سيطه وتُترجم كتبه -الذي وجدت أنها كثيرة- فرواية "وداع طويل" بلا أدنى شك هي واحدة من أ��ضل روايات الجريمة والتحقيقات التي قرأتها في حياتي، والمحقق "فيليب مارلو" من أذكى المُحققين الذي قرأت عنهم، وذو شخصية فريدة للغاية، وذكاء يلمع بعينيه.

ما يُميز هذه الرواية عن أية رواية جريمة أخرى، أنها تحمل عُمقاً ومناقشات وقضايا مُعصدة تتشابك وتنحل لتتشابك أكثر، ثم تنحل في النهاية بإلتواءة جيدة، ومُفاجئة، والأكثر جاذبية أنه مُمهد لها طوال الأحداث، ولكننا لا نرى ذلك إلا بالتفجر الأخير عندما ظننا أن الرواية انتهت، ولكن كان هناك قنبلة في النهاية، ستُغير رأيك في أغلب الشخصيات، ولكنها ستجعلك واثقاً أن "فيليب مارلو" رجل ذو مبدأ مُحترم لا يخل به أبداً، وطوال أحداث الرواية ومُشاكسات "فيليب مارلو" الذي يعمل كمحقق خاص، مع الشرطة والعصابات، لكي يتوصل إلى الحقيقة، والحقيقة وحدها، طريق مُعذب مليء بالتساؤلات حتى حول نفسه، ينخرط "مارلو" في القضية حتى تصير حياته، لا عجب أنه عندما انتهت الحكاية ظل وحده بلا رفقة، فقد تأثر وانخرط فيها، ولمسها، ارتبط بها عاطفياً وليس فقط من البداية، ومُساعدته لأحد الشخصيات، ولكن طوال الأحداث وحتى النهاية.

الرواية أيضاً تستعرض الحقبة الزمنية بستينيات القرن الماضي، من خلال بعض الشخصيات التي مثلت الشرطة ورجال الأعمال ورجال العصابات، وأصحاب الصُحف، وكيف يخدمون بعضهم البعض، وقد يتعمدوا في تزييف الحقيقة من أجل المصالح المُشتركة. وكيف يُمكن أن يصل تزييف الحقيقة إلى التلاعب في الوقائع حتى، وتغيير مسار الأحداث، وكيف أن لغة المال هي اللغة الوحيدة السائدة حتى بين أعلى القيادات في الشرطة والقضاة وأيضاً الصحف ورجال العصابات، الكل عبداً للمال بشكلاً ما. ولم تُغفل الجانب الاجتماعي أيضاً وتأثير الحرب على الشخصيات، أحد الشخصيات حصل على ندبات بسبب الحرب، وبشكلاً ما كانت الحرب هي هزة نفسية له حولته كما رأينا في الأحداث، أيضاً وجود عنصر النساء كان فعالاً وحقيقياً، الإغواء الأكثر شراهة من المال، ولكن من قال أن الجمال لا يقتل؟

ختاماً..
رواية بوليسية كلاسيكية من الطراز الأكثر من جيد، مكتوبة بألغاز تُحل توالياً، حتى تتفجر عند النهاية، أحداثها جذابة غير مُملة على الإطلاق، وعملية التحقيق والبحث نفسها لم أقرأ مثلها من قبل، وجاءت الترجمة جيدة، لكنها كانت تحتاج مراجعة أخيرة من أجل التدقيق في بعض الكلمات.

بكل تأكيد يُنصح بها.
April 25,2025
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October-November 1949, New York. Detective Philip Marlowe and Terry Lennox are friends. One night, Terry asks Philip to bring him to Tijuana border as if he is running out from something. Later, it is revealed that Terry's wife is dead and the police files a case against Philip as an accessory to murder, i.e., for letting Terry to flee. What follows is a convoluted and improbable plot. There are many other characters introduced mostly as suspects. Although this book is an easy read, the plot can can make you woozy and confused. However, this is a typical whodunit and in the end, Terry - earlier introduced with another name and with another face - came out.

The Long Goodbye (first published in 1953) is my first book by Raymond Chandler (1888-1959). His earliest novel, The Big Sleep (1939) is in my to-be-read shelf and now it will stay there for a longer time as my brother says it is a "big bore". Both of these books are in the 1001 Books You Must Read Before You Die. 501 Must Read Books includes his other novel, Farewell My Lovely (1940) so it must be my next Chandler work. In most cases 501 editors make more sense than their 1001 counterparts.

However all of these - among 5-6 others - books by Chandler are all criminal cases by the same Detective Philip Marlowe. We know that Agatha Christie (1890-1976) has Detective Hercule Poirot and Dan Brown (1964-present) has Detective Robert Langdon. Christie and Chandler are contemporaries and made their mystery thrillers all blockbusters during their times. Now it is Dan Brown and his Robert Langdon lording it in the bestsellers list. There is also Patricia Cornwell (1956-present) with her Dr. Kay Scarpetta but she is not a detective but a medical examiner.

Interesting, huh? Style and plot stay the same and books in this genre can still make money even after a handful of decades.

I am not really a fan of detective mystery novels but it can be gripping and interesting at times. However, the one that is still to be topped is my favorite in this genre: Dan Brown's Angels and Demons. Brown has so far released 5 novels: Digital Fortress (1988), Angels and Demons (2000), Deception Point (2001), The Da Vinci Code (2003) and The Lost Symbol (2009). So far, I've read the latter 4 as I heard the first one is mediocre.

However, as I still have 2 more books by Raymond Chandler so it is not yet goodbye time. But it will be take a longer while as I have other writers still to discover.

April 25,2025
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This is my fourth or fifth reading of this classic; I think it's a terrific book, probably Chandler's best, and it ought to lay to rest the question of whether crime fiction can be literature. Among other things, it just might be the Great American Novel of alcoholism.
The language, as always, is honed to a sharp edge; so many people have tried to imitate Chandler's style that it's easy to forget how good the real thing is. "The girl gave him a look which ought to have stuck at least four inches out of his back... I couldn’t hear the laugh but the hole in her face when she unzippered her teeth was all I needed." Chandler found fresh ways of capturing character concisely on every page.
The plot is a bit of a mess, but it's basically the story of Marlowe's friendship with Terry Lennox, a charming wastrel with a scarred face, a drinking problem and a mysterious past. Lennox is a kept man, married to a tycoon's daughter; one night he comes to Marlowe asking for help to get out of town. Marlowe helps him get to Mexico, no questions asked, and then stands up to the cops when they come calling. It turns out that Lennox's wife has been murdered, and it looks as if Lennox did it. When Lennox gets shot to death in a Mexican hotel, supposedly by the cops, the case is declared closed. Marlowe isn't buying it, and the rest of the book, of course, is a quest to find out what really happened.
It takes a while to get there; along the way Marlowe is hired to baby-sit a best-selling author who is having trouble finishing his work in progress because of his own drinking problem. It seems he and his beautiful wife knew the murdered heiress, connections begin to emerge...
The two great themes, love and death, are both there in abundance, but the main love story is the passion for alcohol shown by all and sundry. Chandler was himself an alcoholic, and the book reflects the drinker's ambivalence; there are passages that will make you want to rush out and get a drink and others that will have you looking for the nearest AA meeting.
It's not a perfect book; Chandler did some kinds of characters better than others, and the Mexican (or is he Chilean?) houseboy really doesn't ring quite true. For one thing, his Spanish is pretty bad. ("La señora es muerta.") You'd think at some point somebody would have corrected the Spanish. But that's a quibble; this is still a classic of the crime genre and American fiction in general.
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