...
Show More
Having never read any of Herbert’s work besides Dune, I was very surprised (and a little disappointed) to find that he had written such a generic example of period science fiction as well. I always sort of imagine Dune springing forth fully-formed from his head, but it’s obvious just from reading this that he had a career as a sci fi author, and that much of the work he published was simply not of the same caliber. This one could almost have been re-written as an episode of “Star Trek: The Animated Series,” without any serious changes in the plot, just by toning down the kinkiness of the “whipping” part of the story.
The themes Herbert works with here are primarily: faster-than-light travel (both in its psychological and energy-requirement aspects), the possible sentience of stars, and the transcendent power of love. The three do not sit entirely comfortably with one another, and only at the end do we see how Herbert has intended to wed them. The resolution is reasonably clever, but the book as a whole leaves one feeling unsatisfied.
In order to make certain that the concepts are clear to the audience, Herbert uses the familiar formula of making his characters stupidly resist the obvious, so that it has to be spelled out over and over again. While I’ve seen this done worse, it does get annoying after a while. He also stretches out the plot by making the primary information-provider obscure and largely incapable of expressing ideas in humanoid language. This also gets annoying, although it’s clear enough that Herbert is trying to examine to limitations of linguistic communication and the possibility of sentient beings that exist without it. He does introduce an important concept through this convention, and by withholding the answer of its meaning until the end, effectively raises suspense and foregrounds the mystery.
Overall, this book reminds me of other alien-contact books that were in circulation at the time, and if 60s/70s sci fi is your thing, it’s quite possible you will like it. On the other hand, if you think Frank Herbert is a genius, this may take him down a notch in your estimation.
The themes Herbert works with here are primarily: faster-than-light travel (both in its psychological and energy-requirement aspects), the possible sentience of stars, and the transcendent power of love. The three do not sit entirely comfortably with one another, and only at the end do we see how Herbert has intended to wed them. The resolution is reasonably clever, but the book as a whole leaves one feeling unsatisfied.
In order to make certain that the concepts are clear to the audience, Herbert uses the familiar formula of making his characters stupidly resist the obvious, so that it has to be spelled out over and over again. While I’ve seen this done worse, it does get annoying after a while. He also stretches out the plot by making the primary information-provider obscure and largely incapable of expressing ideas in humanoid language. This also gets annoying, although it’s clear enough that Herbert is trying to examine to limitations of linguistic communication and the possibility of sentient beings that exist without it. He does introduce an important concept through this convention, and by withholding the answer of its meaning until the end, effectively raises suspense and foregrounds the mystery.
Overall, this book reminds me of other alien-contact books that were in circulation at the time, and if 60s/70s sci fi is your thing, it’s quite possible you will like it. On the other hand, if you think Frank Herbert is a genius, this may take him down a notch in your estimation.