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Rating: 2* of five
I'm grateful to Mariah for commenting on this vanished review. I had no idea that it was gone.
I will attempt, through the group read, to reconstruct the earlier review.
***UPDATE***17 April 2017
I read this story 14 years ago, and the review I wrote then was testy because I was too often and too deeply reminded of Forrest Gump as I read it. I ***LOATHE*** every single frame of that film, including the titles, the union notices, and the copyright information. It is sappy. It is manipulative. It is far, far too convinced of its own cleverness. It smirks at its main character behind his back, smiles dazzlingly to his face, and expects all of us to get the joke: The dumb guy's got dumb luck! Haw haw. Like that Swedish hundred-year-old man farrago.
Yuck.
Now, on dredging this book out the dark corner where it's been blocking a draft for a good long time, I can be a little less wrathful about the story. It's not as mean-spirited as either the Swedish mess or the Gump grimness. I still don't like it, the similarity to the mean-spirited smirky stuff gets in my way far too much. But I can finally tell the difference between this story and those: This one is interested in angles of perception and fields of vision. The conceit is not the point here. The point is to experience the world in a foreign way.
While I don't particularly enjoy the story, I no longer want to hurl the book in the path of a draft so as to get some use out of it. (But back it goes because it's the perfect size to plug the space and nothing else I dislike is the same dimensions.)
Rating raised to 3 stars.
I'm grateful to Mariah for commenting on this vanished review. I had no idea that it was gone.
I will attempt, through the group read, to reconstruct the earlier review.
***UPDATE***17 April 2017
I read this story 14 years ago, and the review I wrote then was testy because I was too often and too deeply reminded of Forrest Gump as I read it. I ***LOATHE*** every single frame of that film, including the titles, the union notices, and the copyright information. It is sappy. It is manipulative. It is far, far too convinced of its own cleverness. It smirks at its main character behind his back, smiles dazzlingly to his face, and expects all of us to get the joke: The dumb guy's got dumb luck! Haw haw. Like that Swedish hundred-year-old man farrago.
Yuck.
Now, on dredging this book out the dark corner where it's been blocking a draft for a good long time, I can be a little less wrathful about the story. It's not as mean-spirited as either the Swedish mess or the Gump grimness. I still don't like it, the similarity to the mean-spirited smirky stuff gets in my way far too much. But I can finally tell the difference between this story and those: This one is interested in angles of perception and fields of vision. The conceit is not the point here. The point is to experience the world in a foreign way.
While I don't particularly enjoy the story, I no longer want to hurl the book in the path of a draft so as to get some use out of it. (But back it goes because it's the perfect size to plug the space and nothing else I dislike is the same dimensions.)
Rating raised to 3 stars.