Great translations. These aren't the historical versions, however; all have been somewhat tampered with in an attempt to make them acting versions. Strangely, however, it seems that the translator's ad libs and changes in a way DO make it more historical- they're hilarious. Even the Wasps, one of Aristophanes' least enticing plays becomes great! The translators have a great knack for bringing the playwright's absurdity to life.

Aristophanes is always a hoot, and different translators stretch his references by varying degrees to substitute culturally relevant references -- this one used "Salvation Army" in lieu of some Athenian religious/charitable activity, and it worked! As usual, Cleon gets insulted 19 ways, and there are the usual rustic/urban shticks, and Socrates gets slammed (unfairly, but very funny) and -- what can I say, ya hadda be there in 5th Century Athens (at least in your head during collegiate delusions) to get the full ride from this. Luckily, I had a prof who helped me get there.

We read "The Clouds" in freshman year seminar and I remember begin surprised by some of the theatrical conventions for Greek comedy and enjoying the lampooning of philosophers.

I haven't read "The Birds" but did just read "The Wasps" for the first time. This time through, I was even more astounded by the bawdyness of the comedy (there's a naked flute girl bit at the end, for example, that I think would push boundaries today). I was also surprised at how good the farce and slapstick were. There are chunks in the middle that I would completely excise, but I love the net-covered house, the calling of a cheese grater as a witness, the wacky chants from the chorus, and the servant master relationship never gets old for me.