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These plays are cool. Iphegenia in Tauris is pretty neat. But I love the Helen drama.
Besides being greater in number, the surviving plays of Euripides provide some of the most important information known about Greek tragedy in general. The nineteen dramas extant come down to us via two very different paths. One group, called the select plays (Alcestis, Andromache, Bacchae, Hecuba, Hippolytus, Medea, Orestes, Phoenician Women, Rhesus and Trojan Women), were the ten prescribed as required reading in the late Greek and Byzantine school system—all fourteen of the tragedies we have by Sophocles and Aeschylus belong to the same category—which is to say, all of these plays are acknowledged classics.Awesome, right? Super interesting. The rest of that essay-thing is probably worth reading at some point too.
The other group are called the alphabetic plays (Electra, Helen, Heracles, Heracles' Children, Hiketes [The Suppliants], Ion, Iphigenia in Aulis, Iphigenia among the Taurians, and Kyklops [Cyclops]), because they come most likely from one part (volume two?) of a complete set of Euripides' work, originally organized in roughly alphabetical order. These are all dramas having titles that begin with the letters E to K—in Greek, eta to kappa—or roughly the second fourth or fifth of the alphabet. From this alone it seems safe to assume that they were preserved not because literature teachers saw them as the most effective drama to read in the classroom but by chance when, no doubt, a lone volume from a complete edition of Euripides turned up at some point in history and was integrated into the ten "select plays."