Community Reviews

Rating(3.9 / 5.0, 99 votes)
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99 reviews
April 1,2025
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My first reading of the plays, sonnets, and Venus and Adonis (maybe not Lucrece) was in the Kittredge edition; my professor, in the yearlong course in all the plays, was a student of Kittredge's.
When I came to teach the plays, I used Harrison until this one-volume edition appeared, and definitely improved students' access by modernizing some spelling and punctuation. Since there's evidence Shakespeare punctuated rarely, using the line ends as punctuation (the "D Hand" of the Book of Sir Thomas More) all punctuation proceeds from editors, be they Hemings and Condell, or possibly Florio, etc.
This edition includes clear renderings of the D Hand of Sir T.M, and photographs of Shakespeare's handwriting in that MS, in the most controversial passage. Shakespeare seems to have been given More's speech to the uprising, as the Bard was expert at not offending authorities ready to jail playwrights for public incitements. I used to tell my classes that one of Shakespeare's main accomplishments as a playwright was NOT to be jailed. Contrast Jonson (in his case, not for his writing, but killing a man in a duel), Marston and Chapman.
The D Hand also features many Shakespearean phrases, like :"ravenous fishes," and especially "this your mountainish inhumanity." Note that More addresses artisans uprising to defend poor London craftsmen against foreigners, "strangers" now working in England. (Shades of Brexit?)
In the sixties I first read about the D Hand in Samuel Tannenbaum's 1929 study, at the U Minnesota Library before it had moved across the Mississippi to the great brick pile it now occupies.
Perhaps it's a failure to fill my review of this major edition with such a detail, but it serves to illustrate how useful the volume is throughout, concise in scholarship (separate volume contains scholarly references) but pertinent and readable.
April 1,2025
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Blame It On West Side Story…

It was nearly the ending of summer, and I was then still eleven. Was playing basketball with my brother and friends. Came into the house for a cold drink and a snack.

Heard my sister and her friends making happy sounds.
Decided I should investigate. They were watching a movie called “West Side Story.”

I heard lots of fun music, saw lots of fun dancing. Although covered in dirt and smelly with sweat, decided to invite myself in and squeezed between two people.

Heard about a song called Maria, Jet Song, Tonight, America, Gee, Officer Krupke, I Feel Pretty and others.

There was the beautiful Maria (who, strangely enough, didn’t look Puerto Rican). There was a gorgeous man named Bernardo. My tomboy days were over.

Dear mother noticed my happy obsession and told me about two young teenagers named Romeo and Juliet. A play written by William Shakespeare. Two kids in love with love
April 1,2025
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probably the definitive edition. Taylor's a renaissance scholar, but got his start in textual criticism, with some BCCCS-style cultural materialist influence. Prioritizes folio texts over quartos, with impressive rationale. Two Lears and inclusion of More and Edward likely piss off the conservative folks. Good times to be had by all. Annoying that much paratextual material is deferred to supplemental volume--not sure if the editors thought that the consequent derridean joke was salient or not.
April 1,2025
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Of course I loved it. I have a functional hardcover from college, this one, and miscellaneous paperbacks from high school which I suppose I could get rid of. Will is my man. This is what having a crush on your seventh-grade English teacher leads to: Bardolatry. [thanks for that word, [author:Lauren Baratz-Logsted|27212]
April 1,2025
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The Tempest:
Not one of my favorites. It was a very convoluted plot with seemingly drunken shenanigans that were hard to follow. I listened to an audio and read along, but I think this one would be much easy to follow if you watched it with props and set. There were some beautiful lines about love between Miranda and Ferdinand.

Two Gentlemen of Verona:
Neither of the main characters are gentlemen! Not at all a good way to start a Shakespeare binge. Frivolous, ridiculous, and misogynistic. The only saving grace was some of Julia's great lines about love.

Merry Wives of Windsor:
Seems like the foil of 2 Gentlemen. Women living their lives. And I like it a lot better. It is quite convoluted. It seems like the story with Anne/Slender/Caius/Fenton should be one play and Ford/Page/Falstaff should be another. Both are good, but it was a little hard to keep up with both.

Measure for Measure:
The simplest, most easy-to-follow plot of the plays I've read so far. Isabella is the strongest female character I've encountered in Shakespeare. She had strong opinions and great wit.

Comedy of Errors:
Simple but fun story. I think it has been retold so many times that it's hard to appreciate the original. What was surely a novel plot twist at the time is now a trope. I listened to an obscure audiobook production and was surprised to discover David Tennant as one of the twins. A delightful surprise.

Much Ado about Nothing:
Loved it! This is my new fav! An accurate title as not much happens, but it's a fun little story. Beatrice is awesome.

Love's Labor's Lost:
An odd one. I found it a little hard to follow and not particularly memorable.

A Midsummer Night's Dream:
One of the few I've seen performed live, but I didn't remember most of it. I remembered it being a bit absurd and it was, but that's the point. "Though she be but little, she is fierce."

Merchant of Venice:
I like the pacing of this plot. There were a few simultaneous storylines that came together well. It was weirdly anti-Semitic but had a great line about all people being equal. Another David Tennant cameo!

As You Like It:
Has the same feel as Midsummer Nights Dream with the psychedelic magic. I really like this one. It's the style of Shakespeare that I love.

Taming of the Shrew:
Loved the first act and the wittiness. There's clever dialogue throughout, but especially between Kate and Petruchio. I didn't like the ending. I wanted a better resolution than that he actually "tamed" her by starving her. Retellings are much more clever.

All's Well That Ends Well:
One of the few plays with an actual villain, though it made for a weird "happy ending." I loved Helena's pining monologues. They are so poignant.

Twelfth Night:
I get why this one is so popular. It's a little rambling, but it's just the right mix of silly and dramatic.

Winter's Tale:
The most dramatic play I've read yet. Not one of my favorites, but it's a solid dramatic tale Got a little weird at the end.


King John:
I didn't follow the plot very well (not a good omen for all the histories still to come). But there was some beautiful prose about grief. And there were lots of long monologues which were great to just let wash over me in the audiobook, appreciating the sound and feel of Shakespeare.

Richard II:
This one held my attention better than King John. I really liked the scene between King Richard and Queen Isabel after Richard is arrested and is heading to jail. Clearly I'm just a sucker for romance. But I almost cried.

King Henry IV, Part 1:
Wow, this is a slog. I zoned out a lot in this one--nothing to hold my attention. I still like listening to it and hearing it in the background, but I often found myself paying absolutely no attention.

King Henry IV, Part 2:
Didn't hold my attention. I think the histories are going to be a struggle. I did like the introduction by the narrator. Made it feel like a campfire story. There are several famous quotes in this one: "uneasy lies the head that wears the crown," "eaten me out of house and home." I also loved "commit the oldest sins in the newest kind of ways."

King Henry V:
I had to go back and read a summary of this one after reading the play. So that's what happened?! I didn't catch most of that. I liked the end with some beautiful lines by King Henry to Kate.

King Henry VI, Part 1:
Really struggling with these histories, but David Tennant as Henry VI helped. It was interesting seeing the British perspective on Joan of Arc, esp. since last year I read Mark Twain's Personal Recollections of Joan of Arc in which he practically idolizes her.

King Henry VI, Part 2:
Plot had a lot of action. If I were going to see a history live, I think this would be the one. "Erect his statue and worship is, and make my image but an alehouse sign."

King Henry VI, Part 3:
Seemed like a bridge between the other King Henry stories and Richard III. But now I'm really excited for Richard III.

Richard III:
And that was disappointing. I know this is a cool story full of plotting and assassinations, but the telling of the events was just boring. It does (just about) end with the great line "my kingdom for a horse" so there's that. I did like the return of the prologue/epilogue.

King Henry VIII:
It left all the best parts out, undoubtably because Elizabeth was queen when it was written, so this must have ended with her birth. It also made for a simpler story than the rest. Though I like that it doesn't really cast anyone as a villain in the story. I also like the prologue and epilogue.


Troilus and Cressida:
That didn't go where I thought it would. Interesting. I thought it would go Romeo and Juliet, but ended up feeling more like Wuthering Heights. There were some fun lines, especially the bantering right at the beginning.

Coriolanus:
Meh. The pacing felt off. Not terrible, but not great. Coriolanus did make for a great anti-hero. This is obviously the namesake for Coriolanus Snow from the Hunger Games, so I'm drawing some interesting parallels.

Titus Andronicus:
Well, that was definitely a tragedy. I see why people describe this as an illustration of excess. It had the voyeuristic feel of Sweeney Todd. Or a really bad shark movie. Another reviewer counted. This play has "14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3, depending on how you count), 1 live burial, 1 case of insanity and 1 of cannibalism--an average of 5.2 atrocities per act, or one for every 97 lines." And there really isn't must to add beyond that. I'm hesitant to take advice from any characters in this play, but I liked this line: Is the sun dimm'd, that gnats do fly in it? The eagle suffers little birds to sing, and is not careful what they mean thereby, knowing that with the shadow of his wings he can at pleasure stint their melody."

Romeo and Juliet:
It's the most famous for a reason. I hadn't read it in years, and it's interesting reading it in line with other Shakespeare. It's easier to follow the story because there's less stage direction, and the direction there is is more physical and simple. It also has some beautiful page-long monologues--longer than most.

Timon of Athens:
I really liked the first half but was bored by the second half. Struggled to pay attention. Seemed overly simplistic for Shakespeare. Maybe that's why it's considered unfinished.

Julius Caesar:
"Honor is the subject of my story." This reads almost like a parable. I knew the basic story--as nearly everyone does--but I didn't know the details of how Brutus was manipulated and his redemptive eulogy. It's interesting that few remember or discuss the true villain of the story. Brutus believed he was doing the will of the people.

Macbeth:
A lot happens in this book. I hadn't remembered how much of our modern witch lore comes from Macbeth. An interesting illustration of greed and overconfidence. I loved the porter's rambling monologue in the middle--lightened up a very dark story.

Hamlet:
I think I read this in high school, but I forgot just how convoluted it was. The main character is KIDNAPPED BY PIRATES and it isn't even a major plot point. It's a fun read, though. With lots of quotes, some inspirational and others comical, and many quoted (and misquoted) throughout time.

King Lear:
This one was forgettable to me. There were definitely a few scenes I really liked. I think Edgar is a great villain. His monologue on "fools by heavenly compulsion" was great. He is ruthless and analytical and excessive. Edmund's plan to keep his father from committing suicide by making him think he already jumped off a cliff was genius. But the rest was fairly forgettable.

Othello:
This was a great one to end on. It's such a beautiful tale of jealousy but told in such a simple way. Sometimes Shakespeare gets overly complex and convoluted. Othello doesn't. Also, beautiful prose. I will definitely read/watch this one again.

Antony and Cleopatra:
I struggled with this one. Too much war and battle. I know the characters are supposed to be over-the-top and dramatic, but that didn't come through for me as I was trying to follow the complicated plot.

Cymbeline:
I had never heard of this one before reading it, and it is now one of my favorites. I love the character of Imogen. There are some really fun monologues in here and the basic plot is classic Shakespeare with a fantastical plot twist that is just ridiculous enough for the story.

Pericles:
I liked it a lot. The first half was a little convoluted because we were introduced to so many characters and kingdoms at once. But the story itself, and especially the second half, was very simple and easy to keep up with. It had a very nice moral/parable feel to it. Reminded me a lot of Les Mis, actually.

Venus and Adonis:
I liked this one. The third person made it easier to follow and it's very simple. Two very simple characters. And lots of beautiful lines. My favorite: "before I know myself, seek not to know me."

Rape of Lucrece:
Well, that was about what I expected. Beautiful prose, but that made it all the creepier for the subject matter. I do like the summary at the beginning and the idea that one atrocity can spark a revolution. Also, Shakespeare's dedication at the beginning is more beautiful prose of love than most of his monologues.

Sonnets:
I didn't think I would like the Sonnets (I tend to hate poetry), but I ended up really enjoying them. The first few were tough. The first 15 or so are all telling a young man why he should have children, and as a single woman about to turn 30, that wasn't exactly what I needed to hear. Some were terrible, some were fantastic. Here are some of my favorites: 29, 40, 66, 91, 130, 131,133, 134, 143, 145, 149.

Lover's Complaint:
I like it, but I didn't love it. I found it more difficult to follow than some of the other poems, partly because of her quoting him for so much of it. But also, it seemed written in an "older" English. Love is fickle, even a stoney heart is moved by tears, but not all tears are equal. Also this line: "For thou ar’t all and all things else are thine."

Passionate Pilgrim:
Less than half of these poems are believed to really be Shakespeare and you can tell. Seemed mostly an ode to youth and young love. The rhythm was easier to find in these than the other sonnets.

Sonnets to Sundry Notes of Music:
After reading so many sonnets, these completely broke cadence and didn't feel like sonnets at all. 4 is absolutely atrocious (it took me several readings to figure it out and once I did I vowed never to read it again), but 6 is absolutely gorgeous.

Phoenix and the Turtle:
Goodreads/Kindle think I'm done because I jumped around and read this in the middle. Glad I didn't save it for last. It's just random words. I looked up some summaries and interpretations of it, and apparently it's beautiful and tragic, but it's also described as "one of the vaguest poems of English literature." A disheartening way for someone to end a Shakespeare marathon. Someone might think they had a stroke!
April 1,2025
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Update as of 2022: Last summer I went to a live production in a castle garden of A Midsummer Night's Dream. I've always thought this play overdone a bit like Romeo and Juliet, it's one of the more popular ones, and I think I finally realize why. Shakespeare, without a doubt, is meant to be seen on stage. I can not stress enough how incredibly brilliant this author is with the written play and seeing it acted out on stage gives it a whole new dimension. This play was fantastic and had me laughing and falling in love with Shakespeare all over again. One of the best classical authors ever. And I highly encourage you to see at least one of his plays in your lifetime.

Shakespeare as classical writing written when I first started reading Shakespeare:

I understand now why I have such a hard time reading Shakespeare. It's not that it's hard to understand. There are enough translations and self help guides to get you through the plot of any of the plays. And once I started reading and translating, I started to get the hang of it, and had fewer words and phrases that I had to look up. No, it's not that. Simply put, it's a play, and not meant to be read. I know there are some who might disagree with me, however, that's my opinion. I revel in the complacency of description and plays don't have it. It is just dialogue. There is nothing to tell you infinitely how a character is feeling or what they're thinking. There's nothing to tell you how the set looks (besides a sometimes small minimalist description). There is nothing to tell how a character looks, are they beautiful? Are they old? Yes, I understand you can infer many of these things from the dialogue which is what you're supposed to do, but to me, there is great room for interpretation, unlike a book, which will describe it for you.

Also, after doing a little reading on Shakespeare and the republishing of his works, it seems there are many different conflicting sources of original text, which is why you often find various works with different scripts. I truly believe that Shakespeare meant these to be seen on stage, not read from a page. It's where his genius is best seen and appreciated. That being said, I plan to read each play, then watch a movie rendition of each one.

I would also like to list the reasons here that Shakespeare's works are classics instead of going into the same points repeatedly as I review each work. They are classics, I can't dispute it, whether or not I enjoy each individual play or not. And I do believe this is the first time that an author has gotten 8 out of 10 of my Definitions for a Classic.

1. Longevity: He's been around through the ages and I have no doubt we'll be acting out his plays on the moon.

2. The magic factor: His stories will pull you in every time. They focus on the aspects of human nature that we all can relate to, so you care about the outcome of the characters.

3. Unique: He has an unusual literary style that has made him popular throughout history.

4. New Style of Writing: Now I'm stretching it with this one, I know, because anyone who has studied literature knows Shakespeare wasn't the first to use Iambic Pentameter, however I believe he was the first to make it popular. You ask anyone to tell you the first author that comes to mind when you say Iambic Pentameter and they're not going to say Chaucer, they're going to say Shakespeare.

5. Huge Following: There isn't a person on the planet who doesn't know who Shakespeare is.

6. Controversial: To say his works are controversial is an understatement. The amount of times he's been banned is enough to put him in this category. The reasons for his censorship are diverse but range from vulgarity, to sex, to politics, to excessive use of freedom. (seriously, what does that even mean?)

7. Underlying themes: Underlying themes run rampant throughout his works and offer a wide variety of human conditions. Anything from betrayal and love to honour and glory can be seen in his works.

8. Substantial Influence: Shakespeare has had influence in every aspect of society from helping to shape the English language (It's all greek to me and tongue-tied - said to have added over 1700 words to the English language) to politics. (Dangers of introducing foreign politics into a city)

Works I've read:


Othello


Romeo and Juliet


Hamlet


Macbeth


Much Ado About Nothing


A Midsummer Night's Dream


King Lear


The Merchant of Venice


As You Like It


The Taming of the Shrew


The Comedy of Errors

April 1,2025
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My reading Shakespeare journey is complete!

I started with the plays back in 2010, and then again in 2015. It took me until the end of 2018 to finish all of the plays, and it was quite an amazing journey. I found that I am a sucker for the tragedies but don't often love the comedies. Histories were hit and miss, I loved Henry the Fourth Parts I & II, Henry V and Richard III. In fact, Richard III is in the running for my all time favourite, up there with Macbeth and King Lear. I have a side project to watch adaptations of all the plays, which is taking longer than I thought (some aren't done very often), but it's been a fun experience as well.

After I finished the plays, I took a break from reading Shakespeare. Than in 2019 I thought it was time to finish off the complete works! So I tucked into reading the sonnets and the poems, and the last thing to read was The Phoenix and Turtle (just 1 page!) on April 23rd - Shakespeare's Birthday! It felt like a fitting time to complete the journey.
April 1,2025
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1. All’s Well that Ends Well: https://www.goodreads.com/review/show...

2. The Tragedy of Antony & Cleopatra: https://www.goodreads.com/review/show...

3. As You Like It: https://www.goodreads.com/review/show...

4. The Comedy of Errors: https://www.goodreads.com/review/show...

5. The Tragedy of Coriolanus: https://www.goodreads.com/review/show...

6. Cymbeline: https://www.goodreads.com/review/show...

7. The Tragedy of Hamlet, Prince of Denmark: https://www.goodreads.com/review/show...

8. The Tragedy of Julius Caesar: https://www.goodreads.com/review/show...

9. The History of King Henry IV, Part 1: https://www.goodreads.com/review/show...

10. The History of King Henry IV, Part 2: https://www.goodreads.com/review/show...

11. The History of King Henry IV, Part 3: https://www.goodreads.com/review/show...

12. The History of King Henry V: https://www.goodreads.com/review/show...

13. The History of King Henry VI, Part 1: https://www.goodreads.com/review/show...

14. The History of King Henry VI, Part 2: https://www.goodreads.com/review/show...

15. The History of King Henry VIII: https://www.goodreads.com/review/show...

16. The History of King John: https://www.goodreads.com/review/show...

17. The Tragedy of King Lear: https://www.goodreads.com/review/show...

18. The History of King Richard II: https://www.goodreads.com/review/show...

19. The History of King Richard III: https://www.goodreads.com/review/show...

20. Love’s Labour's Lost: https://www.goodreads.com/review/show...

21. Macbeth: https://www.goodreads.com/review/show...

22. Measure for Measure: https://www.goodreads.com/review/show...

23. The Merchant of Venice: https://www.goodreads.com/review/show...

24. The Merry Wives of Windsor: https://www.goodreads.com/review/show...

25. A Midsummer Night’s Dream: https://www.goodreads.com/review/show...

26. Much Ado About Nothing: https://www.goodreads.com/review/show...

27. The Tragedy of Othello, Moor of Venice: https://www.goodreads.com/review/show...

28. Pericles, Prince of Tyre: https://www.goodreads.com/review/show...

29. The Tragedy of Romeo & Juliet: https://www.goodreads.com/review/show...

30. The Taming of the Shew: https://www.goodreads.com/review/show...

31. The Tempest: https://www.goodreads.com/review/show...

32. The Life of Timon of Athens: https://www.goodreads.com/review/show...

33. The Tragedy of Titus Andronicus: https://www.goodreads.com/review/show...

34: The History of Troilus & Cressida: https://www.goodreads.com/review/show...

35. Twelfth Night; or, What You Will: https://www.goodreads.com/review/show...

36. The Two Gentlemen of Verona: https://www.goodreads.com/review/show...

37. The Two Noble Kinsmen: https://www.goodreads.com/review/show...

38. The Winter’s Tale: https://www.goodreads.com/review/show...

39. The Sonnets: https://www.goodreads.com/review/show...

40. A Lover’s Complaint: https://www.goodreads.com/review/show...

41. The Passionate Pilgrim: https://www.goodreads.com/review/show...

42. The Phoenix & the Turtle: https://www.goodreads.com/review/show...

43. The Rape of Lucrece: https://www.goodreads.com/review/show...

44. Venus & Adonis: https://www.goodreads.com/review/show...

Overall content: sexual things, swearing.
April 1,2025
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Just a disaster, and I'm appalled by the people who gave this a five-star review. There's a fantastic review by the ever-reliable Jeanne Addison Roberts in Shakespeare Quarterly 1979 which is worth quoting: "the motivating spirit behind this spectacular non-book is clearly commercial".

Despite being published in 1978, A.L. Rowse's edition of Shakespeare breezily reprints a 1904 text (itself a copy of 19th century texts) which is itself an unusual decision, in light of the many worthy Shakespeare editions released in those intervening years, from the Arden to the Riverside. The introductions to each play are, as Roberts notes, "drawn almost entirely from [Rowse's] own earlier work" and are of the tossed-off variety, aiming to pontificate on a half-dozen received facts about the play without, it seems, much engagement with contemporary criticism. The margin glosses are surprisingly few and, while yes, Rowse can often be delightfully eccentric, as others note, he is also sometimes just passing the time. When pages pass with only three or four glosses, one feels that this can hardly be the Shakespeare for every household in the land. Sometimes, Rowse even uses "correct" as if he is just telling the reader what word should be there, rather than asserting his opinion in the crowded field of editors from 1709 to the present day.

The only reason this edition merited two stars was because there are many hundreds of pictures, most of them nineteenth-century, meaning at least there is some historical value to this work. Given the grotesque size of the thing, this is hardly worth the purchasing, particularly not with another forty years having passed in the interim.

To quote Roberts once more, "do we laugh or cry?"
April 1,2025
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This year's goal is to attempt to read all of Shakespeare's work

COMEDIES
All's Well That Ends Well 27/1/22
As You Like It 22/2/22
The Comedy of Errors
Cymbeline 1/3/22
Love's Labours Lost
Measure for Measure
The Merry Wives of Windsor
The Merchant of Venice 20/05/22
A Midsummer Night's Dream 18/1/22
Much Ado About Nothing 19/01/22-21/01/22
Pericles, Prince of Tyre
Taming of the Shrew 20/06/22-21/06/22
The Tempest 24/04/22-25/04/22
Troilus and Cressida
Twelfth Night 5/1/22
Two Gentlemen of Verona
Winter's Tale

HISTORIES
Henry IV, part 1
Henry IV, part 2
Henry V
Henry VI, part 1
Henry VI, part 2
Henry VI, part 3
Henry VIII
King John
Richard II
Richard III

TRAGEDIES
Antony and Cleopatra 22/2/22
Coriolanus 23/2/22-28/2/22
Hamlet 4/3/22- 5/3/22
Julius Caesar
King Lear
Macbeth 08/07/22-10/07/22
Othello
Romeo and Juliet 20/05/22
Timon of Athens
Titus Andronicus

THE COMPLETE POEMS
154 Sonnets 09/06/22-11/06/22
A Lover's Complaint 26/1/22
The Rape of Lucrece
Venus and Adonis
A Funeral Elegy 28/1/22 (less)
April 1,2025
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Simply put, When you have The Complete Works of William Shakespeare you have one of the best works of literature ever written. I would definitely place it in the top 10 best works of literature of all time. I bought this book at special price from here:
https://www.amazon.com/Complete-Works...
April 1,2025
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I never want to have to read this entire thing cover from cover ever again. Titus Andronicus was really good though.
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