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How to review Herodotus? It's much like trying to review the Bible. Most would probably say something like, "I liked the blood and guts and stories about the cheating wives of kings; the genealogies were boring." But I found the entire book utterly captivating. It's something special to be able to lose yourself in a world that's completely different from your own, that has a rich history of its own with strange characters and stranger frontiers.
Herodotus is truly a child of the world, marveling at its every wonder. To the modern reader, much of what he writes is quaintly naive (and at times pretty racist). For instance, when describing Indians (a people he located in the very northwestern part of what we now know as India), he says that they "dwell farthest to the east and closest to the sunrise. For east of the Indians lies an uninhabitable desert of nothing but sand." (3.98.2) These Indians also "have intercourse out in the open just like animals" and "the seed they ejaculate into their wives is not white like that of the rest of men, but black like their skin and like the semen of the Ethiopians." (3.101.1-2) And in describing the land of Egypt, he constantly spews wildly inaccurate exoticisms. He describes the symbiotic relationship between an alligator and a plover (bird); the alligator, who is the most vicious creature in the world, opens its mouth to let the plover eat the leeches from his gums (not true, despite the misinformation still circling today, even). There is a report of ants that are smaller than dogs but larger than foxes who gather gold out of the desert. He tells a story about a race of one-eyed men who steal gold from gold-hoarding griffins, but he discounts the story because he can't believe in the existence of one-eyed men (the eagle-headed lion, however, he has no trouble accepting.)
Herodotus's histories are great fodder for contemporary literature. I have no doubt that every story that could be told had already been told by the time of Herodotus. The influence of literature like this is most plainly seen in fantasy works; after all, the ancient Greeks lived in a fantasy world, where gods wreaked havoc and monsters resided in the shadows. George R.R. Martin's Song of Ice and Fire would never have existed without Herodotus and the works of his peers. His tyrants, whores, valiant knights, plots of political intrigue and betrayal, may very well have all been lifted right off the papyri of these ancient texts. And no one could blame him for doing so. This is good stuff.
So Herodotus is truly a child of the world, marveling at its every wonder. But if he's so gullible, can we really call this history? My answer is that I don't really care what you call it. This is better than history. It's entertaining, it's fascinating, it's educational at times. Much like the Bible, it's got a bit of everything. It's a collage of knowledge, ancient rumors, wild speculation, and bewildering stories, that's begging out to be read and enjoyed by even such a removed generation as ours.
P.S. A quick note on the Landmark edition, translated by Andrea L. Purvis and edited by Robert B. Strassler. With all these maps and appendices and copious footnotes, why would you ever read a different edition? It's well worth it to shell out a few more bones for this one.
Herodotus is truly a child of the world, marveling at its every wonder. To the modern reader, much of what he writes is quaintly naive (and at times pretty racist). For instance, when describing Indians (a people he located in the very northwestern part of what we now know as India), he says that they "dwell farthest to the east and closest to the sunrise. For east of the Indians lies an uninhabitable desert of nothing but sand." (3.98.2) These Indians also "have intercourse out in the open just like animals" and "the seed they ejaculate into their wives is not white like that of the rest of men, but black like their skin and like the semen of the Ethiopians." (3.101.1-2) And in describing the land of Egypt, he constantly spews wildly inaccurate exoticisms. He describes the symbiotic relationship between an alligator and a plover (bird); the alligator, who is the most vicious creature in the world, opens its mouth to let the plover eat the leeches from his gums (not true, despite the misinformation still circling today, even). There is a report of ants that are smaller than dogs but larger than foxes who gather gold out of the desert. He tells a story about a race of one-eyed men who steal gold from gold-hoarding griffins, but he discounts the story because he can't believe in the existence of one-eyed men (the eagle-headed lion, however, he has no trouble accepting.)
Herodotus's histories are great fodder for contemporary literature. I have no doubt that every story that could be told had already been told by the time of Herodotus. The influence of literature like this is most plainly seen in fantasy works; after all, the ancient Greeks lived in a fantasy world, where gods wreaked havoc and monsters resided in the shadows. George R.R. Martin's Song of Ice and Fire would never have existed without Herodotus and the works of his peers. His tyrants, whores, valiant knights, plots of political intrigue and betrayal, may very well have all been lifted right off the papyri of these ancient texts. And no one could blame him for doing so. This is good stuff.
So Herodotus is truly a child of the world, marveling at its every wonder. But if he's so gullible, can we really call this history? My answer is that I don't really care what you call it. This is better than history. It's entertaining, it's fascinating, it's educational at times. Much like the Bible, it's got a bit of everything. It's a collage of knowledge, ancient rumors, wild speculation, and bewildering stories, that's begging out to be read and enjoyed by even such a removed generation as ours.
P.S. A quick note on the Landmark edition, translated by Andrea L. Purvis and edited by Robert B. Strassler. With all these maps and appendices and copious footnotes, why would you ever read a different edition? It's well worth it to shell out a few more bones for this one.