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The narrator, John Rain, is a Tokyo-based professional assassin who performs jobs mainly for the LDP, Japan's dominant political party. His specialty is making deaths look natural. Rain is an interesting character: he's half American and half Japanese, grew up partly in each country, and was part of a clandestine US military/CIA operation in the Vietnam War that ran recon and sabotage missions into Cambodia and Laos. He's also an expert practitioner of judo.
The job he completes as the story begins seems to go well but sets into motion a chain of events that places Rain and the people around him in grave danger. One of these people is Midori, an attractive and accomplished jazz pianist with whom Rain becomes romantically involved. She is also the daughter of the man Rain has killed. The plot settles into a familiar thriller novel scenario: Rain must figure out who the bad guys are and what they want, and neutralize them before they can kill him and Midori.
Rain is always on the move around Tokyo, mostly on foot or by metro but sometimes by car. He does a lot of what he calls surveillance detection runs (SDRs): taking circuitous routes from point A to point B designed to expose any potential pursuers. The SDRs (so many of them!) are described in detail, so the book is chock full of Tokyo geographic references: streets, buildings, stores, hotels, train stations, etc. I'm sure this lends the book great verisimilitude for readers familiar with Tokyo, but for the rest of us the barrage of Tokyo place names sometimes feels overwhelming.
The story is clever and includes many creative elements and several interesting characters, but the plotting and pacing are sometimes clunky, and momentum was uneven. Eisler is an intelligent writer, and the two later books of his that I've read are excellent. But in this, his first book, he seems to have been still working to master the tools of his craft.
The job he completes as the story begins seems to go well but sets into motion a chain of events that places Rain and the people around him in grave danger. One of these people is Midori, an attractive and accomplished jazz pianist with whom Rain becomes romantically involved. She is also the daughter of the man Rain has killed. The plot settles into a familiar thriller novel scenario: Rain must figure out who the bad guys are and what they want, and neutralize them before they can kill him and Midori.
Rain is always on the move around Tokyo, mostly on foot or by metro but sometimes by car. He does a lot of what he calls surveillance detection runs (SDRs): taking circuitous routes from point A to point B designed to expose any potential pursuers. The SDRs (so many of them!) are described in detail, so the book is chock full of Tokyo geographic references: streets, buildings, stores, hotels, train stations, etc. I'm sure this lends the book great verisimilitude for readers familiar with Tokyo, but for the rest of us the barrage of Tokyo place names sometimes feels overwhelming.
The story is clever and includes many creative elements and several interesting characters, but the plotting and pacing are sometimes clunky, and momentum was uneven. Eisler is an intelligent writer, and the two later books of his that I've read are excellent. But in this, his first book, he seems to have been still working to master the tools of his craft.