Drear, dark, forbidding, Pyke stood atop those islands and pillars, almost a part of them, its curtain wall closing off the headland around the foot of the great stone bridge that leapt from the clifftop to the largest islet, dominated by the massive bulk of the Great Keep. Farther out were the Kitchen Keep and the Bloody Keep, each on its own island. Towers and outbuildings clung to the stacks beyond, linked to each other by covered archways when the pillars stood close, by long swaying walks of wood and rope when they did not.I would rather not see Pyke in a movie if only so that I could continue to remember it as I imagine it now. In fact, I find that I have carried these characters and castles with me since I first read this story ten years ago. It's easy to get caught up in the intrigues of Tyrion and the adventures of Jon Snow. But even Arya's scrappy determination to exact revenge on everyone that has wronged her makes for a compelling storyline. Each night, Arya recites a list of villains that have wronged her, ranging from the Lannisters to Ser Gregor Clegane to Raff the Sweetling. After Arya rescues Jaqen H'ghar and his two companions from certain death, he declares that he will kill any three people she names to even the stakes. Could he kill King Joffrey in King's Landing? Jaqen explains
Speak the name, and death will come. On this morrow, at the turn of the moon, a year from this day, it will come. A man does not fly like a bird, but one foot moves and then another and one day a man is there, and a king dies.Arya is a courageous underdog, but perhaps the best part of her story is that she always attracts memorable mentors. Jaqen H'ghar is neither the first nor the last of Arya's guides, but like Syrio before him and after, he is impossible to forget. It just doesn't seem fair that Martin is able to come up with so many great characters, and it seems almost criminal that he introduces and dismisses them so callously. So I was happy to notice upon re-reading A Clash of Kings that Martin's seemingly effortless world building and characterization are largely due to a carefully structured series of revelations. Quorin is only impressive because of the many ways he stands out amongst the Night Watch's rangers. He is clean shaven, well mannered, and surprisingly loyal to the Wall's mandate. Roose Bolton is not just a strange lord with leeches: there are legends that the Starks once lost a battle to one of their bannermen -- who not only killed the Stark but also wore his skin as a cloak. Pyke isn't just a castle in the sea. It took the might of the realm to put down the Greyjoy rebellion. Jaqen H'ghar isn't just a strange man. Daenerys was betrayed by a maegi in the first novel that had occult knowledge that is tantalizingly similar to Jaqen's. Clearly, there is a great deal of thought that goes into these novels. Thank goodness. The first time I read A Clash of Kings, I was struck by the hypocrisy of Westeros' ideals. Perhaps history teaches us that power and wealth shape our lives more than ideals and principles. So A Clash of Kings is sometimes quite depressing. However, this time, it struck me that talent counts for little without hard work, and I find that encouraging.