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Folks, alum is truly a thing of the past. In these modern times, the trendy kids have set their sights on sugar. And lo and behold, Cyprus turns out to be the perfect place for its cultivation. Coincidentally, Cyprus has become a battleground between two royal half-siblings, both vying for Niccolo's assistance in their quest for the throne. But why exactly? Oh, and let's not forget that the Genoese and Venetians are continuously weaving their intricate intrigues, locked in a fierce struggle for trade dominance in the Mediterranean Sea.
(There might be some comparisons to the Lymond chronicles in this review. Forgive me; let's just turn it into a drinking game.)
So, this book. Is it confusing and convoluted? Yes, perhaps a bit anticlimactic in the end as well. Yet, it is far more engaging than its predecessor (update: wrong!). Could it be because the evil seductress of her foster son is absent? Come to think of it, I might simply be overjoyed at not having to read anything about that annoying family Nicholas left behind in Bruges. Nicholas is intelligent, young, and finally free.
Nicholas, our hero, is finally emerging from the shadow of the magnificent Lymond (Take a shot!). I'm starting to enjoy this lad! (update: meh). Is he playing 4D chess? Absolutely! Is it frustrating to follow a main character who is always ten steps ahead of the reader? You bet! Mostly, my engagement with the story suffers. Yet, I feel I understand him better, although not fully. Apparently, he developed real feelings for Primaflora? When did that happen? (update: was shocked by this plot point once again!) Okay...
Primaflora, the courtesan with erect nipples... Is it just me, or does this series have more steamy scenes than the Lymond chronicles ever did? (Take a shot!) I'm not being prudish here; it's just surprising. And there's so much more jealousy. Which brings me to Katelina, a heroine with potential who has been wasted.
The spunky Katelina from the first book, where did you go? Did you fall victim to Niccolo's irresistible charm? The feminist in me sighs with disappointment. Okay, girl, get into that fridge already. But seriously, did anyone else buy her reasons for her illogical hatred towards Nick? I didn't either.
Now, let's talk about sexual assault as a plot device. At least, that's what it seemed like because Dunnett suddenly became cryptic for no apparent reason. So, if it was indeed what I thought it was, the handling of the aftermath was... well, it wasn't dealt with at all. It all boiled down to a personal reason for revenge. But for a writer who milked the trauma for the entire Checkmate series? (Take a shot!) Is it because the victim here is a man? Or did I just imagine it?
I'm 1500 pages in, and I'm finally getting curious and mildly engaged, and I've started to like the hero (update: girl, don't get too excited, the next book will punish you). There are still 3500 more pages to go (update: oh lord Cthulhu, give me strength!). At least I'll pick up the next book and see what happens then (update: *sigh*).
(There might be some comparisons to the Lymond chronicles in this review. Forgive me; let's just turn it into a drinking game.)
So, this book. Is it confusing and convoluted? Yes, perhaps a bit anticlimactic in the end as well. Yet, it is far more engaging than its predecessor (update: wrong!). Could it be because the evil seductress of her foster son is absent? Come to think of it, I might simply be overjoyed at not having to read anything about that annoying family Nicholas left behind in Bruges. Nicholas is intelligent, young, and finally free.
Nicholas, our hero, is finally emerging from the shadow of the magnificent Lymond (Take a shot!). I'm starting to enjoy this lad! (update: meh). Is he playing 4D chess? Absolutely! Is it frustrating to follow a main character who is always ten steps ahead of the reader? You bet! Mostly, my engagement with the story suffers. Yet, I feel I understand him better, although not fully. Apparently, he developed real feelings for Primaflora? When did that happen? (update: was shocked by this plot point once again!) Okay...
Primaflora, the courtesan with erect nipples... Is it just me, or does this series have more steamy scenes than the Lymond chronicles ever did? (Take a shot!) I'm not being prudish here; it's just surprising. And there's so much more jealousy. Which brings me to Katelina, a heroine with potential who has been wasted.
The spunky Katelina from the first book, where did you go? Did you fall victim to Niccolo's irresistible charm? The feminist in me sighs with disappointment. Okay, girl, get into that fridge already. But seriously, did anyone else buy her reasons for her illogical hatred towards Nick? I didn't either.
Now, let's talk about sexual assault as a plot device. At least, that's what it seemed like because Dunnett suddenly became cryptic for no apparent reason. So, if it was indeed what I thought it was, the handling of the aftermath was... well, it wasn't dealt with at all. It all boiled down to a personal reason for revenge. But for a writer who milked the trauma for the entire Checkmate series? (Take a shot!) Is it because the victim here is a man? Or did I just imagine it?
I'm 1500 pages in, and I'm finally getting curious and mildly engaged, and I've started to like the hero (update: girl, don't get too excited, the next book will punish you). There are still 3500 more pages to go (update: oh lord Cthulhu, give me strength!). At least I'll pick up the next book and see what happens then (update: *sigh*).