All my love goes out to one of the books that introduced me to the world of fantasy as a child. Sabriel was just as enchanting on reread as an adult as it was to my young mind. Nix has truly crafted an amazingly fantastical world, and I can't help but wonder why this isn't a movie or TV show yet?
Sabriel follows the eponymous character, a young woman in a girls' school in a place 'across the wall' where modern technology like cars, phones, and electricity exists. However, Sabriel wasn't born here. Her father lives back in the Old Kingdom beyond the wall, serving as the Abhorsen, a position passed down through generations to control the dead and malevolent magical creatures that cause chaos in the magical world. When her father goes missing, Sabriel must return to a magical world she scarcely knows, learn skills she's hardly experienced, and battle a dark evil that has gradually taken over the Kingdom.
Sabriel is a relatively short and fast-paced fairy tale-like quest filled with talking 'animals', scary beasts, magical items, and both magical and non-magical planes. The story is straightforward, without too many unexpected twists and turns. But despite this, everything is beautifully written and has the power to draw you into a very cool fantasy world.
I adored the characters. The romance is minimal but still endearing. Mogget, the talking demonic not-really-a-cat cat, is simply the best, and I wish I could have one of my own. The journey and the action are tense, exciting, and even scary at times, thanks to Nix's excellent writing of action sequences and the terror he can build around the dead.
I simply can't stop longing for this to be adapted into a show or something. The visual of the modern, non-magical world bordering the magical one is so cool, and although it's been done before, this feels fresh and fascinating, especially in seeing how it impacts the culture of both worlds. I really want to see it!
In conclusion, if you love fantasy, you should definitely read this book. It may not always make the 'classic' fantasy lists, but I firmly believe it belongs there. The audiobook, narrated by Tim Curry, is said to be amazing, and I'm not joking when I say I might reread this for a second time this year just to hear him bring Mogget to life.
Sabriel is a captivating book that immediately grabs the reader's attention. The story begins with Sabriel hearing the disturbing sounds of the Dead, their joints grinding and feet padding. I'll be honest, a book about the dead isn't usually my cup of tea. However, Sabriel managed to keep me engaged with its rich magic and detailed world building.
Sabriel's father, the Abhorsen, is a unique necromancer. He has the power to send the dead back to their resting place and protect the living from their threats. When her father goes missing, Sabriel must leave her boarding school and journey into the Old Kingdom. There, she faces numerous enemies, all of which are either dead or half dead or have had their bodies taken over by dead spirits.
The book is filled with delightful descriptions, such as "like an apple corer punching the Dead spirit out of the rotting corpse." The main magic system in Sabriel is Charter Magic, which involves the use of symbols to create spells. Charter Mages have a symbol on their forehead to indicate their power. This system was both fantastic and creative, adding an extra layer of depth to the story.
The other characters in the book are also well-developed. Mogget, the talking cat, is mysterious and adds an element of humor to the story. Touchstone, the rescued man who has been trapped for 200 years, is a complex and interesting character. Overall, I really enjoyed Sabriel. It was a quick read that kept me on the edge of my seat. Although some parts of the magic system were a bit difficult to understand, I thought it was a great concept and a truly unique book.
I read Sabriel right back around when it first came out. I remembered liking it a great deal, but I'd never found myself re-reading it or continuing with the series. However, with the recent release of the final book, I decided to start again from the beginning.
I recalled practically nothing about it, except that it dealt with the dead and bells were used to banish them. This is something drawn from history, but I'm fairly certain it was some hazy memories of Sabriel that led me to use bells for summoning and banishing the dead in an unfinished book of mine with the working title of "Inn". (It begins with the line "The inn fell sideways" and involves an entire inn full of people being magically transported to a post-mage-war no man's land, where someone manages to use a bell of summoning in a circle dedicated to the entire pantheon of gods - which is definitely not a good idea.)
Anyway, upon re-reading Sabriel, it seems there's only the slightest of similarities. And what I remembered of Sabriel was really just the bells, and that it's a good book. One of the particular positives is that Sabriel starts out competent. She's journeyman competent and does have some newbie panic moments, but mostly she is the one who takes action in the story. I also liked that people didn't waste time debating her competence just because she's young.
The story has a really high death count, and some of those deaths are caused by Sabriel in a "cost of war" sort of way. It's interesting to see her acknowledge the cost without being overly angst-ridden. The romance was a bit of instalove for me, and I didn't care for the massive coincidence of where the paperwing landed. But otherwise, there wasn't much that annoyed me in the story (which is a rarity!).
It's a story that will appeal more to readers who enjoy really rich world-building and find stoic characters appealing. It won't appeal to readers with a taste for high angst or a primary focus on romance, and might even come across as middle grade even though Sabriel is eighteen.
Does the walker choose the path, or the path the walker?\\n The Writing and Worldbuilding\\nI absolutely adore Garth Nix's writing. It is truly lyrical, yet it never distracts from the narrative. Instead, it flows beautifully, as if each word is carefully chosen to enhance the story. He has a remarkable grasp on the language, which is evident throughout the book. I loved every single bit of it. I have to admit that I had my doubts initially. This book came out before I was born, and often, older YA writing can lack a strong narrative voice and rely too much on tropes and clichés. However, this book was completely unique and excellent in every way! I can clearly see the influence it has had on the genre. Books like Shadow and Bone and Throne of Glass seem to be trying to emulate what this book had, although their levels of success may vary.I am completely in love with this world and its inhabitants. From the very beginning, it gave me White Walker and the Wall vibes from Game of Thrones, which has always been my favorite part of the show. The world is so intricate and amazing. Every element of it was masterfully explained, without being too vague or too obvious. The prologue was captivating and set the stage for the story perfectly. There was a part around 25% through that dragged just a little, but it was short-lived and gave way to a tight narrative filled with adventure, action, and some of the best themes I've ever come across.\\n The Characters\\nSabrina the teenage witch:
Death and what came after death was no great mystery to Sabriel. She just wished it was.OH MY GOODNESS! Where have you been all my life? Everyone can stop trying now because we have had the perfect strong female character for well over a decade. Sabriel is an actual human being. She second guesses herself, gets too proud sometimes, is polite to ghosts and inanimate objects, but is also willing to do whatever it takes to do what's right. She can be a little rash at times, but she makes up for it by trying to plan ahead whenever she can. She's tough, disciplined, and has a heart of gold. In short, she's real, and I appreciated that more than words can say.Salem the sassy cat familiar:
"You may call me Mogget. As to what I am, I was once many things, but now I am only several."This sassy demon cat was hands down the most iconic thing I've ever had the pleasure of reading. He's mysterious and otherworldly, yet he's also a fluffy white cat. What more could I ask for?Pinocchio:
"I love you," he whispered. "I hope you don't mind."While we never learn his real name, Touchstone was definitely a great addition to the main cast. He's a kind and caring guy with a mysterious past that continues to haunt him even after being rescued from his two-century-long sleep as a wooden statue by Sabriel. He can be a bit unhinged in battle, but that just adds to his charm. I absolutely loved him.Abhorsen: (aka Sabriel's dad)
"Let this be my final lesson. Everyone and everything has a time to die."He wasn't really present for most of the story, acting more as a MacGuffin. However, he was an effective one because I really wanted him to be found. Sabriel's father was a great man who had a lot of presence in the narrative, despite his lack of physical presence. You can see a lot of his influence in Sabriel.\\n Conclusion\\nI thoroughly enjoyed this book and will without a doubt be reading the rest of the series! I'm so excited to explore more of this wonderful world.
Five Great Charters knit the land
Together linked, hand in hand
One in the people who wear the crown
Two in the folk who keep the Dead down
Three and Five became stone and mortar
Four sees all in frozen water.