A very dully told mystery presents itself, perhaps with the lamest antagonist I've encountered thus far in a crime novel. I have a penchant for Cold War-era thrillers, but I'm 0-2 between this one and Tom Rob Smith's Child 44, which was a far superior Soviet murder story.
Arkady Renko, a homicide detective in the USSR, usually deals with cases stemming from domestic violence or excessive vodka consumption. However, this time, 3 bodies are discovered beneath the melting snow in Gorky Park, a highly trafficked public area. The bodies, two men and one woman, are missing their fingertips, faces, and eyeballs. The two men have been shot through the teeth from front to back and also through the heart, while the woman was only shot through the heart.
Okay, so far, it seems promising! The makings of a ritualistic-style killer in one of the most uptight and no-nonsense countries of the time? At this point, I'm fully convinced I've struck gold!
Alas, those good vibes dissipated quickly. All that gruesome body stuff occurs in the first chapter or two, and it's downhill from there. The remainder of the book delves into Arkady's crumbling marriage, traitors within his own police department, spies, and an American fur magnate.
Yes, a fur magnate is central to the story about people missing their faces, eyeballs, and fingertips.
Honestly, the pace left me fighting sleep for most of the time. Since this is my second attempt at reading this novel - and I'm glad to say I finally finished this huge NYT Bestseller from 1981 - I'm certain I won't be reading any more from Martin Cruz Smith. I simply did not enjoy this.
“‘There are not many road signs in Russia, you know.’ He laughed. ‘If you don’t know where the road goes, you shouldn’t be on it.'” — Arkady Renko
When Gorky Park was first published in 1981, it was immediately banned in the then Soviet Union due to its accurate portrayal of everyday Soviet life. Although I have never been to Russia (my only exposure to the culture was the year I spent unsuccessfully attempting to learn the language), its image is closely associated with the glamorous Moscow of the film, The Saint, in my imagination. Smith’s description, however, is completely different! It is gritty, dark, and dangerous. Everyone is afraid of being sent to a political prison or, even worse, Siberia. And they have every reason to be scared; the shady past of a close relative, a single whisper from a vengeful neighbor, or even owning a Bible could be enough to get one in trouble with the KGB.
Detective Arkady Renko leads a simple life. Despite being the son of a decorated war general and a member of the communist party, he prefers not to cause trouble or receive any negative marks on his party card. Murder is his area of expertise, and that suits him fine, as all the cases he has encountered so far have been the direct results of drunkenness, jealousy, or accidents. Open and shut. But he is not prepared for the three frozen bodies discovered in Gorky Park, with their faces skinned and fingertips cut off. Clearly, this is no ordinary Soviet murder.
I enjoyed this book for the same reasons I was captivated by Smilla’s Sense of Snow. It was both a thrilling page-turner and a social commentary. Although the world has changed since 1981, many things remain the same. Greed, money, and corruption still drive the world, and it would be foolish to think otherwise. Everyone seemingly has a price at which they can be bought, and those who are faithful to their beliefs and standards often suffer. I have already purchased the next book in the series, grateful that, unlike Peter Hoeg’s book, Renko lives on for another seven books.
There's this fascinating concept in fantasy and sci-fi writing known as world-building. It's quite self-explanatory really. Since these books don't occur in our universe, it's the author's responsibility to provide all the details. They have to paint a vivid picture, adding shading in just the right spots to ensure we can clearly see what we're supposed to be looking at. Economics, politics, interpersonal relations, language, gender roles, humor - all these elements can be incorporated well, emphasizing certain aspects and embellishing others, so that the empty spaces also contribute to the overall canvas. Or it can be done poorly, with everything crammed in, resulting in a chaotic mess like "Where's Waldo" where no one can figure out what's going on. Martin Cruz Smith is an excellent world-builder. He writes about a real place that no longer exists in the same way, and I don't think that makes his job any easier.
Granted, I have no idea what life was like in the Soviet Union in the early '80s, and maybe the author didn't either. But he has created a fully realized world, a backdrop that adds a great deal of freshness to this twisty detective thriller. Part of the reason Stieg Larsson's books created a new genre in the U.S. (sort of - the Swedish location-specific murder genre) was his obsessively detailed descriptions of the Swedish landscape, which gave readers something to focus on while Lisbeth was shopping at Ikea. Here, the sense of place is equally compelling (with the weather being just as miserable); the plot and writing are a lot better.
Arkady Renko is a great character. He understands how the system works and has no problem "losing" the files on a few murder cases to keep the crime rate low and the politicians happy. Yet he refuses to follow the party line, pisses off the wrong people, and follows leads even when he has no vested interest, not even a strong desire for justice. He just wants to be right. He is assigned to the case of three corpses found shot and mutilated in a famous park, and it seems like he keeps working on it for no other reason than that it violated his personal sensibility that it's uncouth to murder people in a place where people come to relax, commiserate with friends, or maybe do some ice skating.
The plot is quite complicated, as expected, but the trappings (you'll see what I mean in a moment) are quite fun. Without giving too much away, everything ties into the international fur trade, and if Martin Cruz Smith is right, it's a bloody business. This is a Russian sable:
This is a Russian sable fur coat:
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It costs about $150,000 and requires dozens of pelts. If you would wear this coat, you are an asshole. The same goes for a hat. Case in point:
The tail-end gets a bit droopy - Renko loses his temper and goes into a pity spiral, and there's all this mirroring of the ways the U.S. and Communist Russia are totally opposite but equally rotten. But then there's an intense final chase sequence that had me muttering at my iPod to hurry up and get it over with, so I guess that worked out. Otherwise, the female characters are not particularly outstanding, but I've read a lot worse in that regard.
Some enterprising bookstore clerk needs to put this series on an endcap when the Dragon Tattoo movie comes out in December, because it is just waiting to be rediscovered.
The quote "It’s not a mystery; it’s just the past.” by Martin Cruz Smith in Gorky Park sets the tone for a captivating exploration. I recall watching the William Hurt film adapted from this book in the early 80s. It was a great movie, and the book was equally excellent. The 80s were a golden era for Cold War espionage/crime novels. This particular genre isn't just about espionage thrillers; it's often a police procedural with a unique twist. Instead of being set in the typical cities like New York, Chicago, or Los Angeles, it takes place in different locations. For example, Olen Steinhauer's early crime novels in the Yalta Blvd Sequence are set in a Soviet Era state that combines elements of Hungary and Romania. His works include The Bridge of Sighs, The Confession, and others. James Church's Inspector O series also offers an interesting perspective. I've read the first four books, such as A Corpse in the Koryo. Some of LeCarre's novels have a similar feel, although not exactly. While none of these authors reach LeCarre's best, they come close with their own佳作. The common thread among these three authors is hard-boiled crime fiction set in an alien or totalitarian landscape, with sympathetic characters. The main detective always manages to solve the case despite the limitations of the system. This allows readers to think about how our own system might also affect the resolution of crimes. One author who does this well, in my opinion, is Don Winslow. The Cruz novel is the first of 10 Arkady Renko novels, so Renko must be quite the character.