More recently, I have come across a variety of texts addressing a very different Rousseau. This Rousseau is not only very different from the image I formed of him but also, I suppose, very different from the image I was taught of him. The only flaw I knew about him was his rather 'complex' childhood sexuality as revealed in his autobiography. But I came to discover other peculiar traits that gave his thought more depth as well as his character. His originating the "collectivist methodology" or his (unhealthy) obsession with Sparta shine a very different light on the concept of the noble savage, one much less self-evident and politically correct.
It was in this particular mindset that I started this reading. I was not disappointed. Indeed, Rousseau is far from the poor cliché I had stuck in my mind. First of all, not unlike Locke, he is a great writer, witty and confrontational, which always makes for an easier lecture. Second, his work, if it happens to inscribe itself with earlier modern political theory, in the tradition of 'conjectural history', also provides a particular reflection on this theme. As far as I know, it is the first to do so. Also, his work is strikingly secular. If he happily acknowledges Locke or Hobbes, his relationship to religion - if any - is closer to Machiavelli's. Last, the assertions I have read that he was often regarded as the forefather of romanticism left me, until reading this text, skeptic at best. I am not knowledgeable enough about this movement to make up my own mind, but I now definitely see where this genealogy comes from. It is not the sentimentalism nor the aesthetic primacy but a sense of modernity as a right scourge that grants him this awkward position, as both the paragon of humanism and the omen of reactionary, anti-enlightenment, and nationalist thought.