The Castle of Otranto, penned by Horace Walpole in 1764, holds a significant place in literary history. Walpole, not only the author of this "first" gothic novel, but also a member of Parliament, an art historian, and the 4th Earl of Orford, had a diverse and accomplished life.
Originally published anonymously, The Castle of Otranto claimed on its title page to be a translation "from the Original Italian of Onuphirio Muralto". It's unclear if Walpole truly intended for readers to believe it was a true story, but the thought that anyone might have is rather amusing. This novel encompasses all the elements a Gothic novel should possess: mystery, curses, hidden passages, secret rooms, the supernatural, horror, and, of course, women in distress. It's an absolute delight to read. If I had a "this book was fun" shelf, The Castle of Otranto would surely grace it. In fact, perhaps I should create such a shelf.
The story commences on the wedding day of Conrad, the sickly son of Manfred, the lord of the castle. Tragically for poor Conrad, before he can marry Princess Isabella, a gigantic helmet descends upon him and crushes him. This extremely peculiar manner of death fulfills an ancient prophecy stating that the lordship of Otranto shall pass from the present family when the owner grows "too large to inhabit it". Manfred is distraught, not because he loved Conrad, but because he fears that his son's death预示着 his family line's end. I'm not entirely sure why the lords of castles in those days were so concerned about their "family line" since they would eventually pass away regardless, but they were. Manfred's wife, who loves him and whom he seems to be fond of, has only given him this one weak son and a daughter, Matilda. So, Manfred hatches the rather brilliant idea of divorcing his wife and marrying Princess Isabella himself.
Thus begins a tale of a woman in distress, secret passages, a poor young peasant unjustly condemned to death simply because Manfred is angry at the world, secret love, a sighing portrait, and not just a giant helmet but a giant sword as well. It was highly entertaining, and although the giant helmets and sighing portraits didn't frighten me in the least, even when I read it at night. It's definitely worth reading. Happy Reading.
Written in 1764, you would never guess it. Sarcasm aside, it's a real clanger! I don't very easily DNF books but at 50% I was bored out of my wits! This is the supposed father of gothic literature: set in a castle, with howling in the battlements, damsels in distress and all the medieval checkboxes safely ticked away. But wow, what a boring read!
To be fair to Horace Walpole, the book wasn't actually written by him - it's a translation! - and he did a professional job of successfully interpreting the Italian text. At least that's what I gathered from the intro! Otranto is set in an era when rulers had too much power and could treat their wives like objects. Away to the cloisters m'lady and consider yourself well and truly divorced while I beget myself a tasty new lass. Multiple times. Ancient and chauvinistic are the most horrifying aspects of this book.
I have no idea what to make of the fantastical 'horror' elements either. Gigantic helmets, swords and boots! There must be a jolly giant hiding away in the belfry? Characters spend more time throwing indignant fits than fighting any terror. Romeo and Juliet gone all wrong with angry randy viscounts.
I read this book to better acquaint myself with gothic horror and its history. There are allusions to Don Quixote (there's something weirdly pompous about it). Carmilla/Dracula. Edgar Allan Poe. Henry VIII and his misogynistic hips. Shirley Jackson (who is great). This is the epitome of gothnicity (I made that word up) but so dour to read. Gothic literature had to start somewhere and here it is, but you don't need to go here and make the same mistake as me. A really good book for getting back to sleep in the early hours of the morning. I slept like a rock!