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The musical was better!
No, I’m kidding (although I am one of 23 people on this planet to actually likes the B’way show. No excuse for the other planets). I want David McCullough to be my grandfather, sit near a fireplace, smoke a pipe and tell me stories. I don’t care about what—just talk.
I like his not-so-stuffy writing style. I always have. In “1776” he continues making historical figures and events accessible and even entertaining. His research is (as far as I know) impeccable. And thar’ be the problem mates’. His narrative is contained to the one year—and, yes, it was an incredible one—where the reader is plopped into a time vortex that needs a huge amount of back story (i.e. explain just about everything). It all seems like an appendix to his masterpiece “John Adams.” There was a wagon load of notes left over from that one so bind them all into another. I am being unfair, I realize. If you don’t compare it to “Adams,” it is better than your average book on the American Revolution . . . a lot better. Detailed when it needs to be, anecdotal enough to make characters human, succinct summarizations of complex events (often happening simultaneously) and easy on the old noggin.
I am also one of only nine people (among all the planets) who thinks the Broadway Show “Ben Franklin in Paris” was kinda cool. Oh, mock me if you want. I am secure enough to take it.
No, I’m kidding (although I am one of 23 people on this planet to actually likes the B’way show. No excuse for the other planets). I want David McCullough to be my grandfather, sit near a fireplace, smoke a pipe and tell me stories. I don’t care about what—just talk.
I like his not-so-stuffy writing style. I always have. In “1776” he continues making historical figures and events accessible and even entertaining. His research is (as far as I know) impeccable. And thar’ be the problem mates’. His narrative is contained to the one year—and, yes, it was an incredible one—where the reader is plopped into a time vortex that needs a huge amount of back story (i.e. explain just about everything). It all seems like an appendix to his masterpiece “John Adams.” There was a wagon load of notes left over from that one so bind them all into another. I am being unfair, I realize. If you don’t compare it to “Adams,” it is better than your average book on the American Revolution . . . a lot better. Detailed when it needs to be, anecdotal enough to make characters human, succinct summarizations of complex events (often happening simultaneously) and easy on the old noggin.
I am also one of only nine people (among all the planets) who thinks the Broadway Show “Ben Franklin in Paris” was kinda cool. Oh, mock me if you want. I am secure enough to take it.