Along with Michener’s ‘Alaska', this is probably the longest book I’ve ever read. I treated it like a series, reading a section and then picking up another book before returning to it. The novel simply wasn't captivating enough for me to devour it in one sitting, except for the part about the Tahitians emigrating by canoe across the Pacific Ocean.
Michener无疑做了一项惊人的研究工作,才创作出这部小说。
19世纪90年代,美国商业利益集团在美国武装力量的帮助下夺取这些岛屿的行为相当令人震惊,但考虑到当时欧洲人正在瓜分非洲,这在那个时代也并不罕见。有个角色认为,如果美国没有夺取夏威夷,英国也会这么做(但那样的话夏威夷现在可能就独立了)。
我很喜欢波利尼西亚人乘坐独木舟移民到夏威夷的故事,然而,书中其他一些部分我觉得相当冗长乏味,而且夏威夷人在书中的戏份如此之少让我感到失望。从波利尼西亚人到达夏威夷到“扫兴”的传教士到来并带来疾病使夏威夷人口大量减少,这期间有一千年的巨大空白。也许这段时期没有相关记录,不过他也许可以把库克船长的到访以及他在夏威夷的死亡包括进去。
这本书的主要焦点是新英格兰的传教士以及中国和日本的移民工人。这可能是因为这三个群体在岛上掌握了政治和商业权力,并在20世纪50年代末夏威夷成为美国一个州时造就了夏威夷的现状。
米切纳利用他对南太平洋的了解,将夏威夷与当时由英国统治的斐济以及至今仍是法国一部分的塔希提岛进行了比较。通过一个角色,他得出结论,夏威夷更加发达,但也承认这些岛屿的治理方式并没有像斐济和塔希提岛那样保护原住民的利益。我从未去过夏威夷,但我去过斐济的亚萨瓦群岛和奥诺岛,它们真的是南太平洋的天堂。
他的《阿拉斯加》以一种《夏威夷》所没有的方式把我带到了那里,所以总的来说,我不得不说我觉得它没有那么引人入胜,尽管我学到了很多关于中国和日本文化的有趣事情——或者至少是那些文化过去的样子。
I'm guessing everyone who finishes this book has that moment where they're like, "I ACTUALLY FINISHED THE 1,100+ PAGE BOOK!" Here's the thing about that: in the modern publishing world, this wouldn't be one book, it would be a series. The six sections would each be their own books (well, five, as the first one would be cut.) Here's my advice for reading them:
Section 1: From the Boundless Deep -- SKIP THIS ENTIRELY. It's only about the geologic formation of the islands as scientists understood it in 1959. The geology of Hawaii has been more or less completely rethought since then.
Secton 2: From the Sun-Swept Lagoon -- Prettttttty sure this section served as the inspiration for the movie Moana, except (spoiler alert) Moana is way better and the songs are so catchy! Maybe just watch that instead? Also, LOTS of rape and sex with 15-year-olds (see Trigger Warning below.)
Section 3: From the Farm of Bitterness -- There are about 100 pages of this section that consist ENTIRELY of missionaries getting seasick and suffering extreme constipation. No, seriously. I did not think it was possible to hate missionaries as much as I did by the end of this section. Never has a book so needed a good editor.
Section 4: From the Starving Village -- By the time you get to this section, you will be so glad you're not reading about missionaries anymore that you will forgive Michener for making you read 100 pages about the past 2000 years of Chinese history in the middle of a book that's supposed to be about Hawaii. Then you'll get to the part about the leper colony and wish you had the missionaries back again. Seriously, where is that editor?
Section 5: From the Inland Sea -- This section deals primarily with the Japanese immigrant and Japanese-American experience in Hawaii, and yet despite that, the long-winded Michener only gives about 40 pages to the bombing of Pearl Harbor. Like, NO BIG THING. JUST ONE OF THE MOST IMPORTANT EVENTS TO HAPPEN IN HAWAII IN MODERN HISTORY. Then instead he has you read 100 pages about the (mostly Japanese-American) Hawaiian Army regiment's experiences in... Italy? EDITOR!
Section 6: The Golden Men -- Not exactly a spoiler, but after spending the past 500 pages doing an almost admirable job of exploring multiracial viewpoints and storylines, this is the section where Michener brings it all back together and mostly spends the whole section lionizing the "incredible leadership and forward-thinkingness" of the white men at the core of the story. Bonus points for introducing a writing device on literally the LAST PAGE of the 1,100+ page novel that made for a slightly interesting twist to the narrative.
Overall, I wanted to fault him for his mostly 2-dimensional female characters (although he gives ample page time to several key female characters, almost every woman in the book is distilled down to a happy hooker or a wise wife.) However, his male characters tend to be pretty 2-dimensional as well, though they do seem to at least express a wider cross-section of humanity.
That said, even though the book is sometimes ENDLESS and sometimes you want to throw it at things, I have to admit that there is something warm and engaging about it -- memorable characters, an incredible amount of plot, and of course that beautiful tropical setting. I sense that the historical events described in the book are rendered VERY hazily at best, so don't treat it like an academic history of Hawaii. But as a storyteller, I have to admit Michener has a gift. Many nights, as I got into bed to read it, I felt like Fred Savage in The Princess Bride, excited to hear what Grandpa Columbo's crazy tale held next.
*Trigger warning: there is a LOT of rape in this book (because doesn't everyone know that pre-contact tribes were always raping? and also OMG THE LEPER COLONY) and the totally blase way rape is written about literally made me want to throw the book at a wall. Also, oh my God if one more main character/old man had had sex with a 15-year-old girl like it was totally normal and no big deal, and the absolute pinnacle of sexual experience one could hope for, I swear I would have thrown this book on the fire. LIKE WHY ARE THEY ALWAYS EXACTLY 15? SAY THE WORDS 'NUBILE BREASTS' ONE MORE TIME AND I SWEAR I WILL PUNCH THINGS! (My overarching takeaway from this novel is that Michener was just pissed that Nabokov beat him to writing Lolita.) Also, this book was written in 1959. You will see the N-word used occasionally (almost always in dialogue) as well as descriptions of Asians as "Orientals," "slant-eyes," "Japs," and "yellow-skinned." (The fact that these descriptions were often employed in parts of the book where Michener was trying to illustrate the rocky road toward harmonious diversity in Hawaii DID remove the sting slightly.) He also has the REALLY unfortunate habit of overusing the word "niggardly." You have been duly warned.
I read this many years ago and was immediately captivated by it. The family history presented in the story was truly fascinating. It delved deep into the past, uncovering secrets and events that had shaped the lives of the characters. The amazing setting added another layer of allure. Whether it was a grand old mansion or a secluded countryside, it created a vivid backdrop that enhanced the overall atmosphere of the story.
But what really pulled me in were the individual struggles of the characters. Each one had their own set of challenges and obstacles to overcome, and I found myself empathizing with their plights. Their stories were relatable and engaging, making me root for them every step of the way.
Overall, this was a truly remarkable piece of work that left a lasting impression on me. It combined elements of family, history, setting, and personal struggle to create a narrative that was both entertaining and thought-provoking. I would highly recommend it to anyone looking for a great read.