Reynolds Price, in the introduction of this luminous book of Eudora Welty's "snapshot" photographs, quotes her as revealing:

"...my wish, indeed my continuing passion, would be not to point the finger in judgment but to part a curtain, that invisible shadow that falls between people, the veil of indifference to each other's presence, each other's wonder, each other's human plight."

These snapshots do precisely that. They part the curtains. (Welty had very little photographic training and did not stage her subjects. Thus, she preferred the term "snapshot" rather than "photograph" to represent her work.) She captures moments in time with unwavering honesty, a complete lack of pretension, and an overwhelming sense of compassion.

When you pair these photos with her atmospheric writing, you'll feel as if you're floating. Or at least that's how it was for me. Her snapshots and writing together create a unique and enchanting experience that allows the viewer and reader to see the world through her eyes and understand the human condition in a more profound way. It's a journey that I highly recommend.

Discovered in a second-hand bookstore located in Alma, New Brunswick! This find is an absolute gem and a perfect addition to the study of Eudora Welty.

Eudora Welty is a renowned American author, and any new material related to her work is of great significance. The item found in this used bookstore could potentially provide new insights, perspectives, or even previously unknown details about her writing process, her characters, or the themes she explored.

Whether it's a rare first edition of one of her books, a collection of her personal letters, or perhaps a critical analysis of her work that has been out of print for years, this discovery is sure to excite scholars, students, and fans of Eudora Welty alike.

It serves as a reminder that there are still hidden treasures waiting to be unearthed in the most unexpected places, and that the world of literature is constantly evolving and revealing new secrets.

Although Welty is widely regarded and best known for her remarkable writing, her photographs are equally captivating. They are not only revealing but also exude a sense of compassion and are truly stunning. The moment I pick up this book and start leafing through its pages, I am immediately drawn into a world of visual beauty and emotional depth. I never seem to tire of this process, as there is always some new detail that catches my eye. Each photograph tells a story, and I find myself constantly uncovering new layers of meaning and significance. It is as if Welty has captured the essence of life itself in these images, and I am privileged to be able to experience them.

Welty had no formal training in photography when she took those remarkable photographs. Many of the locations where she took them are places that I have visited myself, as I happen to live in the same state. Despite her lack of training, she managed to take extremely good shots that possess a natural feel and an undeniable authenticity. I have often studied her photographs, but this year, with the little time I could spare, I have been delving into the world of photography myself. And I must say, I was truly impressed with her work. It is evident that she had a natural gift. It is the gift of someone who is highly observant, thoughtful, and indeed, a born storyteller. I can just imagine that she saw stories unfolding everywhere she went, perhaps not in a deliberate and conscious way. What sets her shots apart is the absence of any artificial set-up. She was intuitively capturing life in all its raw and beautiful forms. I would highly recommend her work to anyone with an interest in photography or a love for genuine and captivating images.

A comprehensive collection of Welty's compelling photographs exists, which were taken not only in her native Mississippi but also throughout the world. It is essential for anyone who has a passion for Eudora Welty's writing to also delve into her photography. Welty clearly states that her photographic images do not have any impact on her writing. Instead, she simply aims to record what she sees, without any intention of exploiting the individual or the subject. According to her, her writing is inspired by her memories of real events, people, and places. Photography and writing, in her view, are two distinct mediums of expression. The book's introduction by Reynolds Price and the interview of Welty conducted in her home in 1989 provide further insights into the remarkable vision and talent of this extraordinary woman.

Tokia kitokia pirma pažintis su šia amerikiečių rašytoja.

It was such an unusual first acquaintance with this American writer.

One gets to know her through her photo album.

As she herself says in a short interview at the beginning of the book, she doesn't pretend to be a professional photographer, calling her photos'snapshot'ais.

She simply wanted to document her native state of Mississippi, Louisiana.

The photos were taken around the 1930s, during the Great Depression.

The heroes are mainly the suffering African Americans.

These photos capture the hardships and struggles of that era, providing a unique perspective on the lives of the people in that region.

They show the poverty, the hard work, and the hope that still existed in the hearts of the people.

Through her photos, the writer has created a powerful and moving tribute to her homeland and its people.

It is a reminder of a time that should not be forgotten and a celebration of the human spirit in the face of adversity.

Moving and insightful photos of the pre-WW2 South offer a captivating glimpse into a bygone era. These images possess a wonderful eye for both people and architecture, capturing the essence of a time that changed forever. The photos展现了 the unique charm and character of the South before the war, with its vibrant communities, stately homes, and rich cultural heritage. They tell stories of ordinary people going about their daily lives, as well as the grandeur and elegance of the region's architecture. Through these photos, we can see the evolution of the South and understand how it was shaped by the events of the past. They serve as a powerful reminder of the importance of preserving our history and heritage for future generations to enjoy.

This large-scale book is truly remarkable as it houses an extensive collection of Welty's photographs.

These photographs are sourced from both her WPA work and her personal shots.

It is an extremely unusual and fascinating experience to be able to witness another dimension of a writer's artistic expression.

One can't help but wonder and think about how her photography might have influenced and informed her writing, and vice versa.

The relationship between her two art forms is truly captivating.

This book was such an enjoyable read, as it offers a unique perspective into the mind and creative process of Welty.

It allows the reader to explore and appreciate her talent in a whole new way.

Whether one is a fan of Welty's writing or simply interested in the intersection of different art forms, this book is sure to delight and engage.

It is a must-read for anyone looking to gain a deeper understanding of the creative journey of a remarkable artist.

Eudora Welty is a renowned author, and the photos she took in the 1930s - 1950s are truly captivating.

Among her favorites are "Saturday Off/Jackson (15.)", which perhaps shows a moment of leisure in the city of Jackson. "New Orleans (54.)" might capture the unique charm and atmosphere of that vibrant city. "Crystal Springs (73.)" and "Utica (75.)" could offer glimpses into the smaller towns and their distinct characters.

"Hello and Goodbye/Jackson (84.)" seems to convey a sense of both connection and departure. "Twin tombstones/Mississippi (98.)" might hold a story of a shared history or a particular relationship. "Bird Pageant/Jackson (102.)" could be a lively and colorful event.

"Home by dark/Yalobusha County (115.) 1936" gives a sense of the rural landscape and the coming of night. "Catholic Church/Rodney (118.)" and "Ruins of Windsor/Port Gibson (119.) 1942" show the architecture and history of different places. "Sideshow, State Fair/Jackson (139.) 1939" likely depicts the excitement and spectacle of a fair.

"Hattie Carnegie show window/New York City (155.)" provides a look at the fashion and style of the time. "Katherine Anne Porter/Yaddo (205.)" and "Lehman Engel/Jackson (216.)" might be portraits of notable individuals. "Westchester County, N.Y. (219.)", "Helen Lotterhos/Jackson (222.)", and "Chestina Andrews Welty/Jackson (225.)" add to the rich tapestry of Welty's photographic collection.