Mamet is truly awesome. He not only has a wealth of knowledge but also holds a plethora of strong opinions.

Most of the essays in this collection center around the theater. However, several of them can be generalized and applied to the state of art in general.

The title essay and the one on Bitchiness were particular favorites of mine. They were both thought-provoking and engaging.

Overall, everything in this book was well-written and a pleasure to read. Even the few essays that were clearly just introductions to other plays were interesting and well-crafted.

Mamet's writing style is engaging and his ideas are presented in a clear and concise manner. I would highly recommend this book to anyone interested in theater or art in general.

A wordsmith, a master of language, with the ability to weave words into captivating tales.

An exhorter of theatrical depth, one who can bring stories to life on the stage with passion and intensity.

Something of a huckster, perhaps a bit of a showman, using charm and charisma to draw in an audience.

And a mad genius, a creative force that defies convention and pushes the boundaries of what is possible.

This individual is a unique blend of talents, a combination that makes them truly one-of-a-kind. Their words have the power to inspire, to move, and to transport the listener to another world.

Whether through the written word or the spoken stage, they leave an indelible mark on all who experience their work.

They are a force to be reckoned with, a creative powerhouse that continues to amaze and delight with each new creation.

Mamet is indeed an outstanding playwright, and his prowess has always lied in the realm of dialogue. However, when it comes to essays, it seems that this is not his area of expertise.

This collection of obtuse essays failed to engage me. The writing style was convoluted and made it extremely difficult to read. I found myself constantly struggling to understand the author's intended meaning.

Perhaps Mamet should stick to what he does best, which is writing plays with powerful and engaging dialogues. While his attempts at writing essays are admirable, this particular collection did not quite hit the mark for me.

I believe that there are other writers who are more suited to the genre of essays and can present their ideas in a more accessible and engaging manner. Overall, this collection of essays left me feeling disappointed and unfulfilled.

Awesome. I think it's even better than 3 uses. This statement implies that there is something truly remarkable here. It could be a product, a concept, or an idea that has exceeded expectations.

Perhaps it has multiple applications that are not only useful but also innovative and unique. The fact that it is considered better than 3 uses suggests that it has a wide range of possibilities and can bring added value in various situations.

It might have features or qualities that set it apart from others in its category, making it a standout choice. Whether it's in the field of technology, design, or any other area, this awesomeness is likely to attract attention and generate excitement.

Overall, the idea that it is better than 3 uses is a powerful endorsement and indicates that there is much more to discover and explore about this particular thing.

"Decay: Some Thoughts for Actors" is truly the most galvanizing thing ever. It has the power to inspire and transform actors in ways they never thought possible. This piece delves deep into the concept of decay and how it relates to the art of acting. It makes actors question their own mortality and the fleeting nature of their performances. By exploring the idea of decay, actors are forced to confront their fears and insecurities, and in doing so, they are able to grow and evolve as artists. "Decay: Some Thoughts for Actors" is not just a thought-provoking read, but a call to action for actors to embrace the impermanence of their craft and use it as a source of inspiration and motivation.