I'm not entirely certain if some significance was forfeited during the translation (since I read it in Swedish), but I found it rather uninteresting. Typically, I regard Mailer as a brilliant and highly proficient writer. However, in this translation, that quality was absent.
The few small gems of good prose emerged, but they weren't really that distinguishable from the word usage or imagery of most other renowned writers.
I felt that this story could have been about any boy, and Hitler just appears to be a random figure for it. It seems as if the connection between the boy and Hitler wasn't developed deeply enough to make it a truly engaging and unique narrative. Maybe in the original Swedish version, there were more nuances and subtleties that didn't come through in the translation. Overall, I was a bit disappointed with this particular work.
“Incest provides the best possibility of creating a Superman, as the genes of both parents are in the greatest harmony,” says Heinrich Himmler, the most ardent Nazi of all. And Adolf Hitler is claimed to be the perfect product of incest, a first-degree incestuary as the novel alleges. Adolf's father was also the father of his mother.
This book was supposed to be the first of a trilogy, but Norman Mailer died shortly after its publication. So we are left with a story that closely adheres to the documented history of Adolf from childhood up to around the age of 15. The novel mainly covers the stories of the future Führer's father, Alois, and mother, Klara, and their lives. The twist Mailer introduces is the narrator, a devil named Dieter, sent by Satan (the Maestro in this book) to guide Adolf through his formative years as young Adi has the potential for great destruction in the world.
Dieter is the hardest to stomach. He is a pompous narrator who attempts to be funny but comes across as dull. He delves into numerous details of the Hitlers' ordinary family life that lack much dramatic content, goes on at length about bee-keeping which Alois takes up vigorously upon retirement from his Customs job, and then leaves the Hitlers from pages 214 - 261 to take a detour into Czarist Russia to stir things up during the coronation of Nicholas II. These historical events, including the Oscar Wilde sodomy case in Britain and the assassination of Elizabeth (Sisi) of Hungary, that surrounded Hitler are undoubtedly important as formative inputs in creating a megalomaniac, but I think they are a bit excessive.
Adolf comes across as a smelly kid, average in his studies, a bed-wetter, and sexually repressed. He suffers from the guilt of believing he killed his younger brother Edmond by kissing him and giving him measles. He was devoted to his mother, Klara, a religious woman burdened by the childhood deaths of four of her six children by Alois. She believes it was God's punishment for her carnal acts with Alois - no wonder young Adolph, who heard the sounds from his parents' bedroom, was so sexually conflicted.
Alois is the most interesting character. Of robust girth and vile temper, he slept with multiple women, sometimes three in a day. He had them all: kitchen maids, farm girls, barmaids, and even his three older step-sisters, one of whom was Klara's mother. His parentage was uncertain, he married three times and had a total of eight children, and loved to drink and hobnob with the gentry. And he beat his kids mercilessly, so much that Alois Jr. ran away and was never seen again.
I wonder why Mailer chose to write this book that has been chronicled elsewhere. The fictitious element of the devil's agent guiding young Adolf through his formative years, exposing him to incidents that would shape him into the man he became, is interesting, but is it enough? Strangely, I was left wanting more novelistic value. Perhaps Dieter had his plans for Mailer too, taking him out before the author could finish the trilogy, reveal the whole story, and expose the Satanic connection to the Führer and the Third Reich.