Here is an awesome biography of a truly fascinating American writer. This remarkable individual had a profound impact on the literary world, especially inspiring many of the beat writers of the 1950's. Their works were like a breath of fresh air, challenging the norms and conventions of the time. Through vivid and engaging storytelling, this writer brought to life the experiences and emotions of a generation. Their words had the power to transport readers to different worlds and make them see things from a new perspective. The influence of this writer can still be felt today, as their books continue to be read and studied by people all over the world. Truly, this is a writer whose legacy will live on for generations to come.
Very Great Bio
Every detail seems to be carefully chosen to paint a vivid picture of the individual.
The language used is simple yet effective, making it accessible to a wide range of readers.It manages to capture the essence of the person, highlighting their unique qualities and experiences.
Whether it's their professional accomplishments, personal growth, or contributions to society, this bio leaves a lasting impression.It makes you want to know more about the person and their journey.
Overall, it is a very well-written and captivating bio that stands out from the rest.It serves as a great example of how to effectively communicate someone's story in a limited amount of space.
Very good, comprehensive biography of one of my favorite authors. Donald did an extensive amount of research, reading all of Wolfe's writings, including the numerous drafts of his stories and novels. These drafts required significant editing and paring down before they could be published. Wolfe was renowned as an autobiographical novelist. However, I felt that Donald paid too little attention to the differences, albeit slight in some cases, between fictional characters and their real-life counterparts. After all, as was elucidated in "You Can't Go Home Again," the real-life people were merely the starting point. Wolfe then utilized his imagination to create the characters in his books.
The book reviews Wolfe's tragically short life in meticulous detail, almost day by day in some sections. Wolfe was a captivating and talented writer, regarded as a genius by many. Nevertheless, he had his flaws, such as a mercurial temperament, a severe drinking problem, sexual issues, and racist and anti-semitic attitudes that he endeavored, not always successfully, to exclude from his writings. Despite all of this, he was able to produce thousands of pages of intense, vividly descriptive prose and stories that many could relate to. Among the relationships explored in this biography was Wolfe's close bond with his editor Maxwell Perkins, who became a father figure for him and who无疑went far beyond the normal function of an editor in developing Wolfe's talent and assisting him with his various personal and financial crises. Donald does an excellent job of depicting how Wolfe's often jumbled and overly long drafts were transformed into award-winning novels that are considered classics.
Donald is highly critical of Edward C. Alswell, who became Wolfe's editor after he had a falling out with Perkins. He contends that Alswell exceeded the role of an ethical editor in taking Wolfe's incomplete writings and shaping them into the novels (The Web and the Rock and You Can't Go Home Again) that were published posthumously. I believed that this criticism was somewhat exaggerated. Wolfe was a unique writer. Words flowed from his pen like a torrent of water. He cherished every word, and reducing a novel to a size that could reasonably be expected to be digested by a reader was an arduous task for any editor, especially since Wolfe resisted every attempt at reduction. From what I read, Alswell's contributions to making Wolfe's novels comprehensible and of a reasonable length were not significantly different from what Perkins did. Donald included some excerpts of the changes made by Alswell to Wolfe's drafts, and I did not find the changes to be that extreme. There was some reordering and shortening, but the words and the thoughts were Wolfe's. In my opinion, Wolfe was truly attempting to achieve two things in his writing: tell the story of the development of a writer and tell the broader story of America. The writings that he left behind at his death were in line with those themes, and I personally thought, especially in the case of You Can't Go Home Again, that the writings were seamlessly stitched together. Due to Wolfe's personality and the way he wrote, this was essentially what an editor signed up for. It is difficult to dispute the results, and I do not think that a tenable claim can be made that the thoughts, themes, and words were not Wolfe's.
Donald has many useful references to other scholarly works about Wolfe's writing, and I will be exploring some of those. This is a well-written, engaging, and interesting biography, and I wholeheartedly recommend it to anyone interested in the life and writings of Thomas Wolfe.