I found it a bit challenging for me, yet I truly did enjoy getting an in-depth look at how poets evolve their thinking and work through the creative process. It was fascinating to observe the various stages they go through, from the initial spark of inspiration to the careful crafting of words and lines.
Their ability to take a simple thought or emotion and transform it into a beautiful piece of art is truly remarkable. I learned that poets often draw from their own experiences, as well as the world around them, to create something unique and meaningful.
Overall, this exploration into the world of poetry has given me a newfound appreciation for the art form and the creative minds behind it. I look forward to continuing to learn and grow as I delve deeper into the works of different poets.
Rilke's final year was a significant one. Despite the claims of this site, it took half a year to complete. During that time, he, along with Pasternak and Tsvetayeva, the author of Duino Elegies, began a correspondence that unfortunately ended with Rilke's death from leukemia on 30 December of that year.
For those who have only read Rilke, like myself, these letters can sometimes be tedious. However, they offer a fascinating glimpse into the darkening state of Russia. Tsvetayeva's fate was brutal. With her husband and daughter killed by the Soviets, she took her own life in 1941. Pasternak, on the other hand, lived much longer and went on to write Doctor Zhivago many years later.
Among them, Rilke seems to have had the most peaceful life. His move to Prague allowed him to escape the worst of the Russian Civil War and the Soviet revolution, even though he adored Russia almost more than his own homeland.
These letters are filled with generous musings on art, love, and life. They make great bedside reading for anyone remotely interested in three of the greatest writers of the 20th century. In fact, they inspired me to finally pick up and read the memoir of Nadezhda Mandelstam that I had been ignoring for so long.
Stumbled upon this one, a curious crossing of three writers in one year -- 1926. Cast in the role of star-struck fans we have two Russkies, Boris Pasternak and Marina Tsvetayeva. Cast in the role of The King of Poetry? Rainer Maria Rilke.
Rilke's letters are fewest in number here because, unbeknownst to the starstruck Russians, he is dying of leukemia and not telling anyone. I'm sure most readers would be struck by how effusive these letters are, by how loosely the words "love" and "adoring" are used. Even Rilke writes that way, and he's only heard from these two (first Boris, then Marina) for the first time thanks to Borya's dad, Leonid, who had met Rilke many years before.
Other than a lot of spent emotion, you get a little poetry talk, a little literary gossip, and a lot of psychology. If you saw or read (or both) Dr. Zhivago, you'll recognize the hyper-Romantic Pasternak and his troubled marriage. To me, though, it was Tsvetayeva's letters that stood out. A lot of them were poems unto themselves. You can see how her mind was equal parts troubled and creative and, if you didn't know, might even guess she'd wind up a suicide (after ill-advisedly returning to the Soviet Union from France).
All in all, it offers an interesting window into a short frame of time. Speaking of interesting, in her preface, Susan Sontag cites Safe Conduct, not Dr. Zhivago, as Pasternak's greatest work. She also gives a shout-out to Rilke the novelist. Seems he wrote something called The Notebooks of Malte Laurids Brigge in 1910. She calls it his "supreme achievement in prose."
You see what happens when you go epistolary with the literati? You add to your never-ending reading list. It's like opening a Pandora's box of literary treasures and curiosities. The exchange of letters between these three writers reveals not only their personal emotions and literary interests but also a snapshot of the literary landscape of that era. It makes you wonder what other hidden gems lie within the epistolary works of other great writers. Maybe it's time to explore more of these literary correspondences and expand our understanding of the minds and hearts of those who came before us.
A beautiful window into the poetic sentiment is opened through the lens of the incomparable Rilke, perhaps the preeminent pan-European poet. He corresponded with two Russian writers. Pasternak is familiar to Western readers for "Dr. Zhivago", but in his lifetime, his reputation as a poet exceeded his acclaim as a prose writer. Tsvetayeva, however, is the beating heart of the book. She is jealous with a passionate intensity. Rilke is near death, and Pasternak seems like a lesser star - at least at that time - overshadowed by Rilke, Mayakovsky, and yes, Tsvetayeva. This is also a glance at the friendships of intellectuals. They loved, supported, and challenged each other. Their relationships were impetuous and imperfect, but they strived for the betterment of each other. It shows how these poets influenced and inspired one another, leaving a lasting mark on the world of literature.