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Fugard accomplishes an extraordinary feat. He not only crafts a highly convincing domestic drama but also masterfully situates it within the political milieu of the era in which he penned it. His use of symbolism, though understated, holds remarkable power. Compelling events like the kite flying scene are justifiably renowned. They are significant not only for their metaphysical importance but also for the simplicity with which they convey the human drama. The play can be oblique at times, yet this only adds to its power. By focusing the audience or readers' perception on the minute matters and affairs of the characters, it creates a comprehensive whole. The dialogue is brisk and natural, allowing for lenient interpretation while still maintaining its essential meaning. Despite a variety of performances, the characters, regardless of different interpretations, remain ostensibly the same due to the meanings being conveyed. This is undoubtedly one of the iconic plays of South Africa, and rightfully so. It was adapted into a movie starring Freddie Highmore, so even if one is not fortunate enough to attend a live performance, it is still accessible for viewing.