I read the editions with Susan Jeffers' artwork and with P. J. Lynch's artwork.

Both of the illustration styles were truly captivating. The poem itself has an air of mystery.

Even though the rider who stops by the woods appears to be aware of the owner of the woods, this information is not disclosed to the reader.

It can be assumed that the rider paused for a few moments to relish the evening snow.

Perhaps it was a brief respite from the obligations and promises that awaited them.

The rider's decision to stop and take in the beauty of the snowy woods adds an element of tranquility and reflection to the poem.

It makes the reader wonder about the rider's thoughts and feelings during that moment.

Overall, the combination of the mysterious poem and the wonderful illustrations by Jeffers and Lynch creates a truly engaging and thought-provoking experience.

A truly haunting book, this one is not only beautifully illustrated but also my absolute favorite among Susan Jeffers' works. I vividly remember seeing her give a presentation way back in the late 80's at a Society of Children's Books Writers and Illustrators function in the vibrant city of NYC. It was then that I was introduced to her amazing talent. This particular book has always held a special place in my heart. She had an interesting recommendation. She suggested calling up a friend who had a lot of dishes to wash or was engaged in some other repetitive activity and talk and draw simultaneously. According to her, this helped her to loosen up and keep the internal critic at bay. I wholeheartedly believe she's right about this. It's a wonderful way to let go of inhibitions and freely express one's creativity.

The illustrations of Susan Jeffers are truly breathtaking. They have the power to transport the viewer into a world of beauty and wonder. Each illustration is a work of art in its own right, with meticulous attention to detail and a unique style that brings the poem by Robert Frost to life.

The lovely poem by Robert Frost is enhanced and given a new dimension through Susan Jeffers' illustrations. The images she creates provide a wonderful affirmation of the beauty and depth of the poem. They capture the essence of the words and add an extra layer of meaning and emotion.

Whether you are a fan of Robert Frost's poetry or simply appreciate beautiful art, the illustrations of Susan Jeffers are sure to leave a lasting impression. They are a testament to the power of art to enhance and enrich our understanding of literature.

So often when I think of my children, I am filled with images of vibrancy, energy, and motion.

Sometimes it's the joyous dancing that makes my heart soar, and sometimes it's the frantic zooming from one forbidden thing to another when they're too tired to admit they need a nap.

Poetry and children seem to be a natural fit. They respond with delight to the unexpected rhyme, the catchy alliterative phrase, and the comforting rhythm of a familiar meter.

In so many ways, kids are like living poetry in motion. Most of the poetry I share with my kids reflects this lively energy, like the works of Shel Silverstein, Dr. Seuss, and Sandra Boynton.

Then one day in the bookstore, after getting the latest Skippyjon Jones book and pulling my son away from the trains, something caught my eye.

It was a beautiful illustration of "Stopping By Woods on a Snowy Evening," and it brought back memories of the first time I read Robert Frost.

That poem made me stop and truly feel the significance of the pauses and the meaning in the silence between words. So, I took it home with us.

That night, we read "Stopping by Woods on a Snowy Evening" slowly. The illustrations by Susan Jeffers were simply perfect. We savored each line of Frost's poetry and then discussed the pictures, looking for the pops of color in the wintery blacks, whites, and greys.

We asked each other questions like "Do you see any more animals?" or "That owl is so beautiful!" I have read this poem with these illustrations to my son and his little sister countless times.

Yet, no matter how many times we read it, I am always amazed at how still they become. It's wonderful to have a children's poetry book that can capture and reflect that precious stillness within them.

Children are indeed poetry in motion, but they are also poetry in stillness.

Lovely poem by Robert Frost and beautiful illustrations by Susan Jeffers, one of my favorite children's book illustrators. Sadly, she passed away in January of 2020 after a brief illness. The link to her obituary is https://www.publishersweekly.com/pw/b....

She left us with many beautifully illustrated children's books. One of my favorites is Brother Eagle, Sister Sky: A Message from Chief Seattle.

Goodreads has unfortunately mixed her up with another Susan Jeffers. The other Susan Jeffers is an American psychologist who died in 2012 and has also written books, such as Feel the Fear and Do It Anyway. Her books are on the same Goodreads page as the books of Susan Jeffers, the children's book illustrator. I would have liked to request that Goodreads fix this error, but I have given up asking them for help with anything. It's really a pity that such a talented illustrator's work is being misidentified in this way.

I have always had a deep love for this particular poem by Robert Frost. It has a certain charm and allure that keeps drawing me back.

The illustrations created by P.J. Lynch are truly breathtaking. His attention to detail is remarkable, especially when it comes to every single piece of tack. The way he portrays the mood through the colors and textures is simply masterful.

And then there is the innocent beauty of the young woman in the illustrations. She seems to come alive on the page, with a grace and charm that is captivating. Lynch has managed to capture her essence perfectly, making her a central and enchanting figure in the visual interpretation of the poem.

Together, the poem and the illustrations create a harmonious and immersive experience that I find truly delightful. It is a combination that never fails to move and inspire me.

Features in a 1996 nationwide poll compilation.

From wiki - "Stopping by Woods on a Snowy Evening" is a remarkable poem. It was written in 1922 by the renowned poet Robert Frost and published in 1923 in his New Hampshire volume. This work is rich in imagery and personification. In fact, in a letter to Louis Untermeyer, Frost himself referred to it as "my best bid for remembrance".

Frost penned this poem about winter in June 1922 at his house in Shaftsbury, Vermont. That very house is now the home of the "Robert Frost Stone House Museum". Frost had been up all night writing the long poem "New Hampshire" and upon its completion, as he realized morning had arrived, he went out to witness the sunrise. Suddenly, the inspiration for "Stopping by Woods on a Snowy Evening" struck him. He wrote the new poem "about the snowy evening and the little horse as if I'd had a hallucination" in just "a few minutes without strain."[3]

The poem is written in iambic tetrameter in the Rubaiyat stanza, which was created by Edward Fitzgerald. This unique structure adds to the beauty and rhythm of the poem, making it a classic that has endured through the years.