Rhinoceros, Ionesco's most renowned play (at least in America), remains highly entertaining. It's almost akin to a zombie story, yet it contains numerous little cues (often contradictory) regarding the kinds of meta-textual targets that the audience (or perhaps the author?) has in mind. These include governments, totalitarians, colonialists, liberals, conservatives, capitalists, and so on. When the entire world has undergone a transformation, does it make sense to take pride in remaining steadfast and ugly?
The other two plays in this collection are relatively minor works. The Leader is entertaining enough, lambasting the kind of political apparatus that has only deteriorated since the play was written. And The Future Is in Eggs is a blunt satire on racism, conventional love, and systems of (re)production. It offers a thought-provoking exploration of these themes, challenging the audience to question their own beliefs and attitudes.