Such an exceptional novel! I have never read anything like it. It's a captivating and mysterious piece of work. Is it a dystopian story? Well, not necessarily. The setting seems to be in a world that is both strange and unfamiliar. Is Earth the planet where the story takes place? Probably not, but you can't establish that for sure. Our protagonist, Child, was raised from childhood onwards locked-up in an underground cage with thirty-nine women. She has no knowledge of life beyond the cage. It's truly remarkable that she is there alive and well, supposedly only by pure accident. The women are closely observed by guards who snap whips but never physically mistreat them. By sheer incidental luck, the women can escape to the world above after at least fifteen years of imprisonment. It's devastating to read that they only find numerous cages wherever they go, all holding thirty-nine dead people, both women and male. They were obviously the only lucky ones.
The author, Jacqueline Harpman, must have been an extraordinary woman. I cannot phantom how she could so realistically imagine what would develop in the mind of a youngster who is experiencing the world without bars for the first time in her life. The way she portrays Child's journey of discovery and confusion is truly masterful.
What a special story this is! It is odd that it is not devastating to read, just very alien. This novel proved to be so dissimilar to any novel I ever read. It makes you think about the nature of freedom, confinement, and the human spirit. It's a thought-provoking and unique work that will stay with you long after you've finished reading.
Given the subject matter, one might initially assume that this would be a feminist novel. However, it is not. Instead, it is a humanist novel. Gender and sexuality are, in fact, rather subdued for significant portions of the story. I firmly believe that this was the best decision the author could have made. By doing so, she was able to maintain the focus on the experiment that the novel proposes. A great dystopian or speculative (science) fiction novel must achieve this in order to be successful, particularly in a book that offers no easy answers.
These profound statements add an extra layer of depth to the novel. They make the reader reflect on the nature of memory, pain, time, and human existence. The novel explores these themes in a thought-provoking and engaging way, leaving the reader with much to contemplate long after they have finished reading.
I Who Have Never Known Men, a recently unearthed 30-year-old Belgian novel, presents a dystopian vision where forty women are held captive within a bunker. Beyond this, details are scarce, leaving both the reader and the characters in the dark about the location and reason for their imprisonment.
This is a highly engaging little novel. With its deliberately模糊的 world-building and thinly sketched characters, it relies heavily on tension, plot (albeit a slow-paced one), and themes to draw the reader in. This formula can work surprisingly well, as exemplified by Theft by Rachel Ingalls. I was completely engrossed in IWHNKM, devouring it in a single day. However, the book ultimately felt a bit lacking.
I attribute this to the lofty themes it attempts to explore. There are so many in the mix, including gender roles, emerging sexuality, nature vs nurture, survival instinct, and the locus of meaning in a human existence stripped of almost everything. This is a lot for an author to handle, but I don't think any of these themes were explored with sufficient depth. Unlike the characters, we never penetrate beneath the surface in these investigations.
This novel would translate well to the screen, given its moody and suspenseful nature, and its zeitgeisty quality in a 'feminist dystopia' sense, despite not really saying much of substance. I Who Have Never Known Men has sharp claws that don't quite scratch where it itches. 3.5 stars.