Ω θεοί.
I didn't expect it. I knew I would like it, I tell you. But it was nonsense, boring, unbearably boring, and superstitious. It had incredibly impressive characters - impressively drawn - but除此之外 nothing. And that unfortunate actress, what did she throw in the middle, as if her role had any significance!
Frankly, this book is one of the biggest disappointments I have had so far.
It seems that the author had great potential with the creation of those remarkable characters. However, the overall plot and the way the story was developed were truly lacking. The addition of that theatrical element with the actress didn't add any value or depth to the narrative. It felt forced and out of place.
Maybe I had set my expectations too high, but still, I couldn't help but feel let down. I was hoping for a captivating and engaging read, but instead, I was left with a sense of boredom and dissatisfaction. I guess not every book can be a masterpiece.
I've been a devoted fan of Peter Beagle's literary fantasies ever since I read A Fine and Private Place and The Last Unicorn. The Innkeeper's Song is firmly rooted in the same wonderful tradition, yet it showcases a more complex and mature sensibility.
The language employed is simple, yet it is truly beautiful, with a lyricism that is both evocative and piercing. At first glance, the characters might seem like the typical tropes found in fantasy literature. However, as we progress through the story, we soon realize that this is an entirely fresh and different take on the wizard, the swordsperson, the lovesick boy, and even the fox, which is one of the most engaging shapeshifters in recent memory. The use of alternating first-person chapters from the point of view of each of the main characters is a device that could potentially be distracting. However, in this case, I found that it worked extremely well. I had a particular fondness for some of the voices more than others, but all of them were distinct and engaging in their own unique ways. My absolute favorites were Lal the swordsman and, of course, the fox.
The middle section of the novel describes a love affair that I was completely not expecting, and yet it managed to move me deeply. The end of the novel was a complete surprise to me. Seldom have I come across such an interesting and thought-provoking take on the outcome of a battle between good and evil. In this world, the hero does not emerge victorious in the fight simply because of strength or cunning. I suspect that this portrayal may be closer to the truth of the human condition than what most fantasy novels typically depict. It is truly an interesting and thoughtful piece of work.
Recommended for anyone who has a passion for language and enjoys fantasy literature that is aimed at the thinking person.
25 years ago, this book had a profound impact on me, leading me back to the wonderful world of Peter Beagle's writing, and I have been immersed in it ever since. 25 years have passed, and I have devoured countless fantasy books. Now, I decided to re-read this particular one to see how it would fare in my more mature eyes.
Well, I must say it holds up extremely well. It is a fantastically plotted and self-contained fantasy tale. The use of alternating first-person point of view per chapter is a brilliant device that gives the reader a more comprehensive understanding than any single character could provide. In this regard, it reminded me of Ken Kesey's 'Sometimes a Great Notion', which employs the same technique, even including an animal (a dog in Kesey's case and a fox in this book).
Interestingly, I had forgotten about a character who we would now classify as transgendered. In the book, it seems to be a small glamour used by the person to disguise their identity. However, there is a passage regarding sexual relations involving this character that might make contemporary readers, who are more attuned to issues of consent, feel a bit uneasy.
Beagle has a masterful way of depicting magicians and wizards. Whether it's Schmendrick the magician in 'The Last Unicorn' or the unnamed wizard in this book, Beagle shows that mortals dealing with magic are treading on the fine line between what can be known and controlled.
One of the main reasons I adored this book and believe it still has great appeal is that after the exciting and climactic fight scene, there is a charming little coda that will tug at your heartstrings and lead to a truly satisfying ending. Many authors struggle with crafting good endings, but Beagle nails it in this one. The book's preface features the lyrics to the innkeeper's song that summarizes the overall storyline. After finishing the book and re-reading the lyrics, their meaning transforms from a rather bawdy one to a melancholy one. It's a nice touch that adds an extra layer of depth to the story.