A super heavy novel written by Bellow in 1969/1970, "Mr. Sammler’s Planet" is loaded with philosophy and Western civilization name dropping. It's far from light reading and at times suffers from the brooding slabs of Sammler's thought. If we were to compare it to something, we could say its lyrics would be like Eliot's "Prufrock," with its musings on "squeezing the universe into a ball" and the difficulty of expressing oneself.
The novel opens in New York City's Upper West Side, which serves as the geographical setting for almost all of it. It's a degenerating New York, where Sammler reflects on Broadway and offers more painterly views of the city along West End Avenue. Bellow's despair, and Sammler's, at the crumbling of spirit among Western civilization's so-called elites is a major theme, and Bellow describes this beautifully and powerfully in some sections.
Right from the start, Bellow demolishes Hannah Arendt's notion of "the banality of evil." He argues that making the century's great crime look dull was not banal but a disguise. He criticizes Arendt for using the Germans to attack the twentieth century and promote the foolish ideas of Western intellectuals.
Almost all of the story comes through Sammler. Although there are other characters and it's written in the third person, Bellow never gives us the thoughts of anyone else; everything is filtered through Sammler's perspective. Sammler himself has had his flirtation with Marxism, which he later realizes was a kind-hearted but stupid scheme.
Bellow also makes some interesting observations about the USA and the USSR, seeing both as utopian projects with different emphases. He comments on the collapse of confidence and the difficulty of separating Sammler from himself. The novel is often profound, with Sammler acquiring wisdom and making statements about revolutions, the nature of man, and the existence of good and evil.
Overall, "Mr. Sammler’s Planet" is a depressing but thought-provoking novel. Bellow tries to bring it all to a conclusion, arguing that despite all the problems and madness, the bedrock truth of right and wrong in individual conduct remains. At the end, over his friend's corpse, Sammler delivers a Jewish prayer, emphasizing that we all know the truth.
It is truly a pity that this site does not permit negative stars. This is just an atrocious book. The meandering stream of consciousness presents a disjointed hodgepodge of platonic nihilistic existentialism. The author appears to long for some grand teleological event, yet has no clue as to what that event might be or how it would manifest. It's truly astonishing!
The writing style is convoluted and difficult to follow, making it a chore to read. The ideas presented are often muddled and lack coherence. It seems as if the author is simply throwing random thoughts and concepts onto the page without any real purpose or direction. One can't help but wonder if the author themselves truly understands what they are trying to convey.
In conclusion, this book is a disappointment and not worth the time or effort of any reader. It fails to engage, inspire, or provide any meaningful insights. Avoid it at all costs!
I would highly recommend this book to individuals who have a profound love for the internal monologues of hyper-intellectuals. This book offers a unique and captivating exploration into the minds of such highly intelligent and introspective characters. The author masterfully delves deep into their thoughts, emotions, and the complex inner workings of their intellect. Through vivid and detailed descriptions, readers are able to gain a rare insight into the world of hyper-intellectuals, experiencing their joys, struggles, and the constant battle within their minds. It is a truly engaging and thought-provoking read that will leave you with a newfound appreciation for the power of the human mind and the beauty of internal monologues.
Bellow's work is truly remarkable, to the extent that it almost feels insignificant to gripe about the deep misogynist undertone present in "Mr. Sammler's Planet." Sammler, a seventy-year-old man, is completely overcome by the sexuality of the women around him. This includes his flighty bag-lady daughter. Somehow, I have my doubts that you or I, in this day and age, would be so affected by the estrogen or whatever it is that these ladies are giving off. However, for Sammler, everything related to women is about tights, legs, knees, thighs, female smells, hair, wigs, food preparation, panties, breasts, veined nipples, and again, those smells. Every time a woman crosses her legs, Sammler's nose twitches. Perhaps, having been blinded in one eye by a Nazi rifle butt, his sense of smell has become heightened.
That, however, is just a side story. The main narrative revolves around Sammler, a Polish Holocaust survivor. He is living on the Upper West Side in the sixties and is being intimidated by a large Negro pickpocket. He is also trying to persuade his H.G. Wells-obsessed daughter that Wells had his imperfections. Additionally, he is reading a manuscript about the moon and waiting for his nephew and benefactor to pass away from an aneurysm.
In another astonishing and deeply moving tour de force, Saul Bellow delves into the profound themes of mortality and morality. He does so by spending a 48-hour period with his Holocaust survivor, Mr Sammler. Every character is meticulously crafted from Sammler's perspective, and the action of the novel forms a perfect circle, adding a sense of symmetry and completeness.
The philosophical ruminations within the story are absolute treasures, as are the vivid descriptions of Manhattan. The city comes alive on the pages, with its unique energy and character. Naturally, the descriptions of Lodz, where Sammler endured the horrors of the Holocaust, are terrifying, serving as a stark reminder of the atrocities that took place.
The main thrust of the story, and an overarching theme in Bellow's works, is the remarkable strength of the human character. People are able to overcome seemingly insurmountable hurdles, all for the simple desire to live and breathe. One could be led to think that being in a place like New York or Chicago is part of that longing for life. I firmly rank this novel up there with Augie March, Herzog, and Seize the Day as masterpieces of American literature. It is yet another must-read for any lover of great literature.