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A Classic...
If It was the 60s/70s: 4.5
If I was under 16 y/o: 4
But reading it now: hardly 3
And 3 'Different' kids..
3 Strange powerful Women..
Looking for a Father..
I believe it needed like more action, and less the direct speech. It felt like part Educational, part Religious even part Political. There were moments when the story seemed to be more about imparting knowledge rather than engaging the reader with a thrilling plot. The direct speech at times made it feel a bit stilted. However, I LOVED so much the Time/Space theme and facts. The concepts presented were truly fascinating and made me think. But the story felt, dunno, classic dry comparing to current Middle Grade novels. It lacked the modern-day pizzazz and excitement that today's readers might expect. Yet I love to watch the Movie, the trailer is impressive. It seems to bring the story to life in a whole new way and I'm looking forward to seeing how they adapt it.
Life, with its intricate rules, its numerous obligations, and its precious freedoms, can be likened to a sonnet. Just as one is given the form of a sonnet, but must pen the verses oneself, so too must we navigate the complex tapestry of life.
So What's It About? On a dark and stormy night, Meg discovers that the ordinary world she knows is, in fact, a place of infinite marvels and dangers. Three strange women bring her news that her physicist father, who vanished mysteriously, is in desperate need of her help against a foe of unimaginable evil. Her quest to save her father - and the rest of the world - will demand all of her courage and wits.
What I Thought. I recall reading this book for the first time around the age of 10 and being struck by the impression that, while it was interesting, it wasn't necessarily overly enjoyable. Both 10-year-old Charlotte and the current Charlotte are in agreement on this point. In terms of what makes it interesting, I'm mainly intrigued by the book's equal regard for Christian themes and scientific thought. Science and religion are often seen as polar opposites, but in my opinion, A Wrinkle in Time shows that the two can coexist and thrive. The book's overall battle of light vs. dark draws on Christian allegory, alluding to angels and Jesus's role in the fight against IT. At the same time, the book is filled with scientific reasoning. Meg comes from a family of scientists, and this is evident in the way she views the world. The fight against IT requires both the faith of religion and the rationality of science, as seen in the delicate act of tessering. I also thought it was very interesting that the first part of the book emphasizes the children's desperation to find their father. In a lesser book, achieving this goal would signal the end of their problems. Instead, they realize that adults are fallible and must continue to rely on their own courage and ingenuity.
In addition, it can't be denied that L'Engle's imagination is boundless. A Wrinkle in Time takes Meg and her friends on a journey to encounter a fascinating variety of bizarre alternate worlds and the creatures that inhabit them. Ultimately, it's the sheer strangeness of it all that I ended up appreciating the most about this book. However, I wish I could add Meg's journey to better self-esteem to the list of things I enjoyed. Unfortunately, I found it to be one of the book's weaker elements. Her initially self-disparaging and negative attitude is portrayed compassionately and accurately, but I never truly felt that any organic internal growth took place. One moment she's thinking of herself as completely useless, and then the next she's somehow magically achieved the kind of self-actualization that usually takes months of work. My biggest complaint, though, is that I never found any of the three main characters to be particularly enjoyable children to spend time with. Charles Wallace, in particular, irritates me to no end. He walks around talking like a pompous 50-year-old man in a 5-year-old's body, while everyone acts as if he's the most amazing and incredible child in the world. I think my irritation with Charles Wallace stems from my underlying frustration with one of the book's messages, which seems to be that there are "normal" people like Sandy and Dennys who are fine, but the truly important ones are "special" people like Charles Wallace. These people are the ones who deserve your ultimate attention and respect. This rubs me the wrong way because it seems needlessly smug and elitist, especially for a children's book.
Okay, the film is set to be released in April 2018 and at least the principal photography is over. In 2018, I'm really confused about what's wrong with people. I don't understand the negative comments from everyone and their little dogs on this film. It can't be misogyny as the character was always a girl. So that leaves... hmm... racism perhaps? With a black woman behind the camera and a lovely and talented young one as Meg. Maybe some people just can't handle that. They complain that it's not like the book. But hello, it's a movie! And actually, it's a lot closer than they let on. It's a decent film and it wouldn't have been possible to get this close in a live-action film until this century. I've watched it twice and from my informed perspective as a reader and a filmgoer, having absorbed and debated lots of information and criticism, I think this is a fine film and more faithful to the book than anyone had any reason to expect.
The Publisher Says: It was a dark and stormy night. Meg Murry, her small brother Charles Wallace, and her mother came down to the kitchen for a midnight snack when they were disrupted by the arrival of a most disturbing stranger. The unearthly stranger said, "Wild nights are my glory. I just got caught in a downdraft and blown off course. Let me be on my way. Speaking of way, by the way, there is such a thing as a tesseract." Meg's father had been experimenting with this fifth dimension of time travel when he mysteriously disappeared. Now it's time for Meg, her friend Calvin, and Charles Wallace to rescue him. But can they outwit the forces of evil they'll encounter on their heart-stopping journey through space?
My Review: Meg Murry's daddy left home unexpectedly and without a goodbye. He left behind an adolescent daughter, three sons, and a beautiful and smart wife. Meg can't get used to his absence and is hurt by the town's opinion that he ran off leaving her mother. With braces, wild curly hair, an intelligence greater than her contemporaries', and glasses, Meg and her even weirder little brother Charles Wallace are isolated from their normal brothers and the rest of the world. In the traditional way, these misfits are actually being prepared to fight the ultimate battle of Good Versus Evil and save their Daddy. One fine day, Meg and Charles Wallace are called to their destiny by Mrs Which, Mrs Who, and Mrs Whatsit, the eccentric old ladies who are actually avatars of interdimensional good beings with the agenda of making the Universe safe for goodness and happiness again. The children are joined by fellow misfit Calvin, a popular boy athlete in their town whose hidden depths have tormented him all his life, in the quest to defeat the evil entity, a disembodied brain called "IT" that takes over planets and makes all life submit to a group mind, erasing individuality and happiness.
This is a YA novel, so all ends well. Mr. Murry comes home and the children are brought home safe and sound. But how they get home is very interesting. They travel via tesseract, a geometric figure that extends into a fifth dimension beyond spacetime. Mr. and Mrs. Murry have been researching this as scientists, and Mr. Murry used the tesseract to get to the planet from which he's rescued. The Mrs Who/Which/Whatsit interdimensional beings use the tesseract to "tesser" or wrinkle the fabric of spacetime to get the children there too. It's fascinating stuff for a Christian housewife to be writing about in 1960 - 1961! And make no mistake, the book has a very Christianity-infused message about the perils of brains without hearts leading to Communistic group-think. Mrs. Murry, a capable scientist, stays home with the kiddos and makes dinner over Bunsen burners. Ew. And Meg worries that she's not pretty enough because of her braces and glasses. Then Calvin falls for her. Ew. But it's not Twilight, so I'm okay with it. In fact, because I first read it before I was ten, I'm okay with all of it. The stiff dialogue, the socially regressive messages, the religiosity... all get a half-smile and a wink from me. Because sometimes you just need to know that someone out there believes that good CAN triumph over evil.