I mean, DeLillo always hits. His works are like a magical spell that casts a captivating charm on the readers. Play DeLillo is like embarking on a thrilling adventure. His unique writing style and profound insights into human nature and society make his plays truly remarkable. Each word he pen is carefully crafted to convey a deeper meaning and evoke a wide range of emotions. Whether it's the complex characters he creates or the thought-provoking themes he explores, DeLillo never fails to leave a lasting impression. His plays are not just entertainment but also a means of self-reflection and a window into the human condition.

This guy:

Dude is truly excellent at writing novels, and the longer, the better. Although the plays he writes are not incompetent, they would probably function better as long, prose-like works.

The story is set in the desert of the western US, sharing the same setting as Point Omega. The protagonist states, "I bathe myself in the light of this epic desert space" (65).

The principal object of the agon here is the disposition of a person in a "persistent vegetative state" (27). There is a strong Agambenian interest in the differentiation between life and death, the zone of indistinction where it becomes impossible to tell one from the other. For example, when someone is "sort of presentably dead" (11), is it a matter of dying "in nature's time" (40) or having a "right to suffer" (41)? It is described as "Not that he's alive. Not that he's dead. No longer and not yet" (48).

The secondary agon pertains to the gender politics that emerge from the first. It is described as "a male fantasy of the caring woman" (11), which is carried on by several of the surviving spouses, as one of them says, "She's one of his wives. I'm one of his wives. We're just pussy." (21).

This work is recommended for readers who believe the world was flat, those who experience erotic rumblings, and persons who have a love for the language of body failure.

Doloroso,

It is a word that carries a profound sense of pain and sorrow. It evokes emotions that are deep and complex, touching the very core of our being.

Profundamente filosófico,

This phrase emphasizes the depth and philosophical nature of something. It implies a level of thinking and reflection that goes beyond the surface, delving into the mysteries and meanings of life.

Espectacular,

Describing something as spectacular means it is truly remarkable and awe-inspiring. It has the power to captivate our attention and leave us in a state of wonder.

When these three words are combined, they create a vivid and powerful image. It is as if we are presented with a situation or experience that is both painful and profound, yet also spectacular in its own way.

Perhaps it is a work of art that elicits strong emotions, or a moment in life that forces us to confront our deepest fears and beliefs.

Whatever it may be, it is something that will stay with us, leaving an indelible mark on our souls.

Doloroso, profundamente filosófico y espectacular. These words have the ability to transport us to a world of intense emotions and deep思考, where we can explore the true nature of our humanity.

Because I say to myself, what good is a life that doesn't experience some trace of all possible lives?

What's the point of being only who we are? Isn't this the sort of unspoken limitation we live with, most of us, all the time?

I mean, shouldn't the man on the subway train, the man on a park bench who has no shoes, who's too beaten down even to beg, sitting there, so frail and soiled - shouldn't I be able to be in his life, be who he is, even for half a minute?

We often go through life confined to our own experiences and perspectives. But there is so much more out there. By imagining being someone else, even for a brief moment, we can gain a deeper understanding of the human condition.

The man on the subway or the park bench may seem worlds apart from us, but in reality, we are all part of the same human family.

If we could step into their shoes, even for a short while, we might realize that their struggles and hardships are not so different from our own.

This kind of empathy and understanding can help us to be more compassionate and kind towards others, and perhaps even make a positive difference in their lives.

So, the next time you see someone who is different from you, take a moment to imagine what it would be like to be them.

You might be surprised at what you discover.

TOINETTE

Leave her alone.

SEAN

We're not here to leave each other alone. We are here to face whatever comes together. To support one another through thick and thin. To build something beautiful and lasting. We can't just walk away and leave her by herself. That's not what true friends do. True friends stand by each other's side no matter what. We have a bond that cannot be broken, and we should use that bond to help her in her time of need.

So, let's not just say "leave her alone." Let's reach out and show her that we care. Let's be the friends she deserves and help her get through this difficult time. Because that's what being a friend is all about.

The False Love Blood Play
By Don DeLillo
Translated by Pedram Laleh
Published by Afraz
Number of Pages: 104

On the back cover, you can read that Don DeLillo, an Italian-American writer, was born in 1936. His works depict the delicate and precise features of American life in the late 20th and early 21st centuries.
The False Love Blood, the third play by Don DeLillo, is a three-act play that premiered under the author's direction in Idaho before its publication and has since been performed in various locations around the world.
This play explores the artistic life of Alex McLain in the later years of his life and the impact of his condition on his son, Shane, and his second and fourth wives, Twent and Lia. After a second severe stroke, he suffers a brain death and enters a vegetative state, and the other characters in the play also come to make decisions about his fate.

The play delves deep into the complex relationships and emotions within the family, as well as the themes of love, loss, and the meaning of life. It showcases DeLillo's unique writing style and his ability to create vivid and memorable characters.

With its thought-provoking storyline and powerful performances, The False Love Blood has become a significant work in the world of theater.

This is my very first encounter with a DeLillo play.

Certainly, I can clearly recognize his unique prose style within it. At times, this is indeed a good thing as it adds a certain charm and distinctiveness. However, it can also be a bit of a drawback. In "White Noise", his detached dialogue works wonders. But in this play, there were moments when I felt somewhat irritated, especially at the outset. Since the entire play consists solely of dialogue, one just wishes for someone to start yelling or something to break the monotony.

The ending was by far the best part. I adored both of the main monologues, with Sean's being particularly outstanding. The title is great, although I do wish that more had been done with the plants/flowers theme. I liked the concept of these three people and their relationships with one another and with Alex, being kind of forced into the same room during a difficult time and having to make a life and death decision.

My favorite line is: "I think this is a child's syringe." (Sean)

Grade: B+

The thing that turns us into children, alone under the sky

After the successful productions of The Day Room and Valparaiso, which delved into the realm of TV and mass-media, here comes DeLillo's third remarkable work for the stage.

The stage set of this new play is extremely minimalistic. Only a small fraction of the playing area is utilized, creating a sense of austerity. The lighting is sparse, adding an air of mystery and solemnity. The action is almost non-existent, with the focus firmly on the power of words. The few words that are spoken carry great weight, and the language is impossibly terse. However, as always, DeLillo's prose simply shines, captivating the audience with its beauty and depth.

By the way, it's interesting to note that love-lies-bleeding is a flower known as Amaranthus caudatus. This little detail adds an extra layer of charm and intrigue to the overall experience of the play.

Overall, DeLillo's latest work for the stage is a thought-provoking and engaging piece that challenges our perceptions and leaves us with much to ponder.

This play was significantly simpler and more deeply felt than the other two.

It delved into the profound ideas of death and the morality surrounding euthanasia. The question it posed was whether we have the right to take a life when nothingness seems to be the only thing ahead, even if it means bringing an end to intense suffering.

DeLillo also vividly portrayed the anguish of family and friends who are burdened with the responsibility of making such a difficult decision, especially in a world where euthanasia is not legally permitted.

This play is truly a masterpiece. It is beautiful, concise, and simple, yet it has the power to make you feel as if you just need to sit down and take a moment to catch your breath. It forces you to confront your own beliefs and values about life and death, and leaves you with a sense of profound思考 and reflection.

An amazing little book/novella/play by the single greatest living author today. His works are truly remarkable as he continues to astound and amaze with his uncanny ability to have his fingers so firmly on the pulse of today's "[pop] culture". It's truly astonishing how he can capture the essence of modern society and its various aspects with such precision and creativity. Oh, to be so sadly human, with all our flaws and idiosyncrasies, which he portrays so vividly in his writing. This short, quick read is well worth the time spent. It offers a unique perspective on life and the human condition, leaving the reader with much to think about and reflect upon. Whether you're a fan of his previous works or new to his writing, this little gem is sure to delight and engage you from start to finish.

4.5 Goddammit I wish this was longer.

It seems that I have a strong desire for something to be more extensive. Maybe it's a story, a conversation, or an experience.

I find myself frustrated with the brevity of the current situation.

I long for more details, more depth, and more time to explore and understand.

It's as if there is so much potential that is left untapped.

I can't help but feel a sense of dissatisfaction.

If only it could be stretched out, expanded upon, and made more fulfilling.

Then perhaps I would be able to truly immerse myself and gain a greater appreciation for it.

But for now, I am left with this longing and the hope that in the future, I will encounter something that satisfies my craving for length and substance.

I read this book two months ago.

However, unfortunately, I can't remember the plot clearly.

This really makes me feel a bit disappointed.

Maybe it's because the story didn't leave a deep enough impression on me.

After all, a good book should be able to make readers remember the plot and characters vividly even after a long time.

In my opinion, giving it 3 stars is quite appropriate.

3 stars means that it is just an average book, not bad, but also not particularly outstanding or memorable.

It may have some merits, but it also has some shortcomings that prevent it from standing out among other books.

I hope that the author can improve in the future and create more excellent works that can really touch the hearts of readers.