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UGH! Is there some unwritten rule that dictates that all short stories must adhere to the following formula: 1) Have some sort of plot twist or surprise, and 2) The surprise must be of a depressing nature? I truly wonder. This collection kicks off with a story about a girl who has a passion for raising pigeons. However, it takes a tragic turn when all but two of the pigeons are brutally killed by rats. Ironically, it's almost poetic, considering that pigeons are sometimes戏称 as "flying rats." The two remaining pigeons manage to escape and stand across the way, staring at the girl, seemingly refusing to come home as if they feel betrayed by the loss of their comrades. Later in the collection, there's another story set in the inner city of DC. It centers around a group of downtrodden girls. On the fringes is one exceptionally talented girl, who is seen as the hope of the neighborhood. At the start of the story, this great hope is on the verge of signing a record contract. As the other girls drive aimlessly through the city and the narrative unfolds, they excitedly talk about how they will all ride her success and rise out of the ghetto. But alas, the story concludes with the great hope being senselessly shot and killed in a random act of violence. Pretty much all the stories in this collection follow a similar pattern. There's just enough character development to make you feel a sense of kinship with the characters, only to be hit with a random tragic event where someone or something meets an untimely end. It feels like a collection of stories that were created using a sort of Mad Libs formula, with (girl's name) + (missing parent) + (inner city location) + (tragic event) all strung together in a rather predictable and somewhat disheartening way. UGH!