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Really, this is just far too easy. The sneering voice, the pointed jabs at all the obvious targets of rural Americana, and the edgy, so-called "topical" subject matter. Truly, though, this has very little of substance to say, and it does so in the most simplistic and basic way imaginable. I can only assume that the voice seemed "fresh" to whoever bestowed the Booker Prize upon it, but in reality, it presents an almost entirely one-dimensional viewpoint. This book is precisely the reason for my growing distaste for satire being used as a pretext for anything and everything to occur, with little or no regard for the narrative logic or the development of characters. (Gary Shteyngart, take note.) There is only one somewhat interesting character in the entire book, but she is unceremoniously dropped from the story early on. Only to reappear later, "redeemed" by nothing more remarkable than the sudden onset of puberty and the resulting physical attractiveness. It's a rather disappointing and lackluster effort that fails to truly engage or offer any real depth or insight.