Octavio Paz is a renowned Mexican poet who won the Cervantes Prize in 1981 and the Nobel Prize in 1990. His work "El Laberinto de la Soledad / Postdata / Vuelta a El laberinto de la Soledad" (1950) offers an in-depth analysis of the Mexican people. In this book, Paz examines various aspects of Mexican culture, including language, rituals, and historical events. He explores the contradictions within the Mexican identity, such as the glorification of artificial festivals in a country where people work hard and earn little. The chapter "Los Hijos de la Malinche" delves into the stigmatized figure of La Malinche and the Mexican attitude towards real women compared to passive, immaculate ideals. This edition also includes a revision by the author, updating the essay with respect to important events in modern Mexican history. While the book is a must-read for Mexicans, it can be a tedious experience for some, as it is filled with citations and references that require further investigation.
Overall, "El Laberinto de la Soledad" prompts reflection on Mexicanidad, the importance of history, and the need to learn from it to improve. It is a thought-provoking work that offers valuable insights into the Mexican psyche.
Paz's "The Labyrinth of Solitude" offers an engaging exploration of the Mexican story. He divides his meditation on the contemporary Mexican into two parts. The first part delves into the cultural aspects that contribute to the Mexican being seen as neurotic. It examines language, interpersonal behaviors, and traditions. Paz argues that Mexicans hide their internal selves behind a mask of cultural norms and expectations, which are based on false histories from a non-native culture. This leads to a pretension of self in the social world.
The second part focuses on the historical and political aspects that have shaped contemporary Mexican society. The indigenous tradition was usurped by the colonial reformation, causing a bipolar state. The Mexican Revolution, although inevitable, was doomed to fail as the grafted philosophical traditions of liberalism and positivism were not congruent with the old world tradition. This has only strengthened the pretension in modern-day Mexico.
Personally, I find Paz's description of the Mexican mind rather depressing and it seems to contain elements of a self-fulfilling prophecy. However, it may be necessary to identify these issues for healing to begin. In modern-day Mexico, there may be a divide between the more indigenous south and the post-revolutionary north. Paz is a pragmatist, and his analysis, despite its nihilism, can be optimistic. However, he fails to make a connection with the pre-colonial Mexican. His critique of failed intellectuals and counter-productive behaviors does not address the basis of his analysis. Without a progressive, socialist example, the masses continue to languish under an order they do not identify with. The situation in Mexico is reaching a boiling point, with the gangs representing the pre-colonial social organization at war with the state powers. A pragmatist could find the best in both to heal the Mexican social order, but as long as we rely on dialectics, progress remains elusive.
Nunca deberían darnos este libro mientras estamos en la secundaria. Es demasiado complejo como para entenderlo con apenas 13 o 15 años de edad. Pero ahora, años después, lo veo de forma distinta. De hecho, hasta lo disfruté. Sin embargo, en vez de creer que se trata simplemente de un análisis de México y su idiosincracia, creo que es el grito de un intelectual que se ve a sí mismo en un país hostil y profundamente indiferente.
Crítico consigo mismo, Paz aspira a una comunión con sus compatriotas. Ofreciéndoles un programa en el que se reflejen, identifiquen, y que adopten. Sin embargo, al final no lo logra. Aunque México lo celebra como un poeta y un ensayista crítico, no lo comprende realmente. Con su premio Nobel, se reafirma la profunda soledad que lo aísla del resto de sus compatriotas.
Esta edición tiene cuatro textos adicionales sobre el laberinto. El único que vale la pena es el de María Zambrano -una diosa-. Los demás sólo son zalamerías, típicos escritos de los fans de Paz que, en realidad, ahondan la distancia entre los lectores y Paz. Es una lástima que estos textos no puedan contribuir más a la comprensión y apreciación de la obra de Paz.