**Lorelei**

Lorelei

⏯ ◼ ⏭


It is no night to drown in. A full moon shines brightly above, and the river lapses gently. The water is black beneath the bland mirror-sheen, as if hiding some unknown secrets. The blue water-mists are dropping continuously, scrim after scrim like fishnets. Even though the fishermen are sleeping soundly, these mists seem to be weaving a mysterious pattern. The massive castle turrets are doubling themselves in the glassy water, creating a scene of all stillness. However, these shapes start to float up toward the speaker, troubling the face of quiet. From the nadir, they rise, their limbs ponderous with richness. Their hair is heavier than sculptured marble, and they begin to sing. Their song is about a world that is more full and clear than what can be imagined. Sisters, your song bears a burden that is too weighty for the whorled ear's listening. Here, in a well-steered country, under a balanced ruler, their harmony deranges beyond the mundane order. Their voices lay siege, lodging on the pitched reefs of nightmare, promising sure harborage. By day, they descant from the borders of hebetude and from the ledge of high windows. But worse than their maddening song is their silence. At the source of their ice-hearted calling lies the drunkenness of the great depths. O river, the speaker sees those great goddesses of peace drifting deep in your flux of silver. Stone, stone, ferry the speaker down there.

Given its great renown, The Bell Jar didn't overwhelm me. However, the passages that I penciled and typed up happened to be the most poetic ones. Now that I've spent a week savoring and devouring The Colossus, I am fully aware that I was simply waiting (and meant) to encounter Sylvia Plath the poet. She used words with a forceful authority and focused on heavy subjects, creating poems that are not only for the page and eyes but also for voices and ears.

Below are a few excerpts that made me marvel at Plath's remarkable skill. I'm truly grateful to have Ariel on hand to begin reading tonight, as I've heard that it is even better.

The long wind, paring her person down
To a pinch of flame, blew its burdened
whistle
In the whorl of her ear, and like a scooped-out
pumpkin crown
Her head cupped the babel.

(from Hardcastle Crags)

Sky and sea, horizon-hinged
Tablets of blank blue, couldn't,
Clapped shut, flatten this man out.

(from The Hermit at Outermost House)

Now little weeds insinuate
Soft suede tongues between his bones.

(from The Burnt-out Spa)

I truly wish that she had more prose to offer.

Her writing has always had a certain charm and elegance that makes it a joy to read.

The few pieces of prose that she has written have left me longing for more.

I can only imagine the depth and beauty that she could bring to a full collection of prose.

Perhaps she is saving her best work for a future project, or maybe she simply needs more time to explore this literary form.

Whatever the reason, I will continue to wait patiently, hoping that one day she will grace us with a wealth of new prose.

In the meantime, I will cherish the few pieces that I have and look forward to the day when I can沉浸 in her writing once again.

I’ve never been much into poetry. It always seemed a bit too abstract and difficult for me to fully understand. However, this particular collection of poems seemed like a good starting point to explore it more deeply.

I decided to keep this book by my bed, so that I could easily pick it up and read a poem or two before going to sleep. I found that this was a great way to unwind and relax after a long day.

As I read through the poems, I was struck by the wonderful language that the poet had used. The descriptions were so vivid and detailed that I could almost picture the scenes in my mind. I especially loved the largely natural but dark settings that were described in many of the poems.

Reading this book has not only made me more interested in poetry, but it has also taught me the importance of slowing down while reading in general. It’s not a race to get through the book as quickly as possible. Instead, it’s about taking the time to really soak in the words and the emotions that they convey.

I think this will be a valuable lesson for me to carry forward in all of my reading. I’m excited to see where this newfound interest in poetry will take me.

The original article: The Importance of Recycling
Recycling is crucial for several reasons. It helps to conserve natural resources, reduce energy consumption, and minimize waste sent to landfills. By recycling materials such as paper, plastic, and metal, we can prevent the need to extract and process new raw materials, which requires a significant amount of energy and resources. Additionally, recycling can create jobs in the recycling industry and contribute to a more sustainable economy.

Expanded article:

The Importance of Recycling

Recycling holds great significance for numerous reasons. Firstly, it plays a vital role in conserving our precious natural resources. By recycling materials like paper, plastic, and metal, we can avoid the need to extract and process new raw materials. This not only saves the finite resources on our planet but also reduces the environmental impact associated with their extraction.

Secondly, recycling helps to reduce energy consumption. The process of recycling typically requires less energy compared to producing new materials from scratch. For example, recycling aluminum cans can save up to 95% of the energy needed to produce new aluminum. This reduction in energy consumption not only helps to conserve fossil fuels but also reduces greenhouse gas emissions, which contribute to climate change.

Finally, recycling minimizes the amount of waste that is sent to landfills. Landfills are a major source of pollution and can have a negative impact on the environment and human health. By recycling as much as possible, we can reduce the volume of waste that ends up in landfills and extend their lifespan. Additionally, recycling can create jobs in the recycling industry, providing employment opportunities and contributing to a more sustainable economy.

In conclusion, recycling is an essential part of our efforts to protect the environment, conserve natural resources, and create a more sustainable future for ourselves and future generations. We should all do our part to recycle as much as possible and encourage others to do the same.

I would also read her complex and depressive poetry in Ukrainian. Rich in images, symbols, unusual and extraordinary, just like Sylvia Plath herself!

It seems that Sylvia Plath's works have a unique charm that attracts people to explore. Her poetry is not only a form of literary expression but also a reflection of her inner world. The complex emotions and deep thoughts she conveys through her words make readers feel a strong impact.

Reading her poetry in Ukrainian may bring a different experience, as the language itself has its own beauty and characteristics. It can help us better understand the cultural background and emotional connotations behind the poetry.

Overall, Sylvia Plath's poetry is worthy of our in-depth study and appreciation, whether in English or in Ukrainian.

Sylvia Plath is an incredibly talented puppeteer.

However, her puppets are not the traditional kind made of wood or cloth. Instead, her puppets are words.

She has an extraordinary ability to control these words with precision and artistry.

With each word she chooses and arranges, she weaves a tapestry of emotions, thoughts, and experiences.

Her writing is like a masterful puppet show, captivating the audience and drawing them into her world.

Plath's use of words is so powerful that they seem to come alive on the page, dancing and moving under her skillful manipulation.

She can make us laugh, cry, or feel a profound sense of awe with just a few carefully chosen words.

Her work is a testament to the power of language and the art of puppetry, even when the puppets are made of words.

In this, the first collection of poems published by the author, one can already witness her inexorable struggle to decipher the world around her with an honest yet dark gaze and a personal style that often exudes a disturbing yet captivating authenticity.

Sylvia Plath not only delights us with a beautiful mastery of the word but also pierces us with the symbolic brutality that impregnates her verses, transforming them into a loaded and well-aimed weapon that hits us in the chest and scorches our clothes.

Her poems are like windows into a soul that is both tortured and transcendent. Through her words, we can sense the depth of her emotions, the turmoil of her thoughts, and the unwavering determination with which she confronts the mysteries and horrors of life.

Each poem is a unique exploration, a journey into the recesses of her psyche, and a testament to her remarkable talent as a poet.

**Expanded Article**

“I shall never get you put together entirely,

Pieced, glued, and properly jointed.

Mule-bray, pig-grunt and bawdy cackles

Proceed from your great lips.

It's worse than a barnyard.”

Spring began and I revived. Never beating the Perséfone allegations.

Ariel has the poems that are the Plath myth. So personal that often it is difficult to decipher them. The Colossus is her love for literature. The instants, the myths, a huge and stable happiness. It has a slight imagist influence, a very sublime appreciation for the exterior, full of images of the world like paintings, very different from the place of introversion and latent cynicism of Ariel; except for the last poem, in which she narrates a lobotomy:

“Love is the bone and sinew of my curse.

The vase, reconstructed, houses

The elusive rose.

Ten fingers shape a bowl for shadows.

My mendings itch. There is nothing to do.

I shall be good as new.”

Check out this sibilance:

“Now little weeds insinuate

Soft suede tongues between his bones.”

And one of the best poems:

Lorelei

It is no night to drown in:

A full moon, river lapsing

Black beneath bland mirror-sheen,

The blue water-mists dropping

Scrim after scrim like fishnets

Though fishermen are sleeping,

The massive castle turrets

Doubling themselves in a glass

All stillness. Yet these shapes float

Up toward me, troubling the face

Of quiet. From the nadir

They rise, their limbs ponderous

With richness, hair heavier

Than sculpted marble. They sing

Of a world more full and clear

Than can be. Sisters, your song

Bears a burden too weighty

For the whorled ear's listening

Here, in a well-steered country,

Under a balanced ruler.

Deranging by harmony

Beyond the mundane order,

Your voices lay siege. You lodge

On the pitched reefs of nightmare,

Promising sure harborage;

By day, descant from borders

Of hebetude, from the ledge

Also high windows. Worse

Even than your maddening

Song, your silence. At the source

Of your ice-hearted calling--

Drunkenness of the great depths.

O river, I see drifting

Deep in your flux of silver

Those great goddesses of peace.

Stone, Stone, ferry me down there.

Sylvia Plath and Clarice Lispector are two remarkable literary figures who have left an indelible mark on the world of literature.

3.5
Sylvia Plath, known for her confessional and deeply emotional poetry, explored themes such as mental illness, depression, and the search for identity. Her works, like "The Bell Jar," offer a raw and unflinching look into the human psyche.

3.5
On the other hand, Clarice Lispector's writing is characterized by its philosophical depth and unique narrative style. Her novels and short stories, such as "The Hour of the Star," delve into the mysteries of existence, love, and the human condition.

3.5
Despite their differences in style and subject matter, both Plath and Lispector share a common ability to capture the essence of the human experience in a profound and moving way. Their works continue to inspire and resonate with readers around the world, making them two of the most important and influential writers of the 20th century.

3.5
In conclusion, the connection between Sylvia Plath and Clarice Lispector lies in their shared talent for creating literature that is both beautiful and thought-provoking. Their works serve as a testament to the power of words to touch our hearts and minds and to help us understand the world around us.

3.5

Neither tears nor the gentle flush of eyebaths seems to have the power to dislodge the tiny speck that has been stubbornly adhering for a week. I am left with the persistent itch on my flesh, completely blind to what lies ahead and what has passed. In my dreams, I find myself as Oedipus.

What I truly long to regain is the person I was before the bed, before the knife, before the brooch-pin and the salve confined me within this particular state. I yearn for the freedom of horses moving gracefully in the wind, for a place and a time that have long since slipped from my mind.

The speck on my eye serves as a constant reminder of the changes that have occurred in my life. It has become a symbol of the passage of time and the loss of my former self.

I find myself reflecting on the events that have led me to this point, wondering if there is any way to go back and recapture the essence of who I once was.

Despite the itch and the uncertainty, I hold onto the hope that one day, I will be able to break free from this parenthesis and return to the place and time that I so deeply怀念.

Sylvia Plath is truly among my best-loved poets, and perhaps even my absolute favourite. Her works have a unique charm that never fails to captivate me.

"The Colossus and Other Poems" is a remarkable collection that does not disappoint in the slightest. In this volume, Plath's poetic genius shines through in every line.

Her use of language is both powerful and evocative, painting vivid images in the reader's mind. The poems explore a wide range of themes, from love and loss to identity and the human condition.

Each poem is a masterpiece in its own right, filled with deep emotions and profound insights. Reading "The Colossus and Other Poems" is like embarking on a journey through the complex and beautiful world of Sylvia Plath's poetry. It is a collection that I will continue to cherish and revisit time and time again.