The article begins with the description of a comforting beginning theme, similar to her first diary entries, repeating "it is, it is gonna be ok". The theme then repeats with a stronger and more emotional tone, deeper bass, symbolizing her deeper love for life. However, as the pace slows, the first shadows of depression and contemplation emerge in her journals.
The tempo rises again as her spirits do, with her looking forward to college, dates, and dreams of her perfect man. The beginning theme comes again, representing her first writing recognition, as she is offered scholarships and money and has a relationship. But then, a realization dawns on her about the fallacy of existence.
Something is wrong with her too, and she feels the dream of a happy life shatter. The strong bass piano chords pound again and again, leading to November 3, 1952, when she expresses her fear and desire to kill herself. The beginning theme emerges again but stops, leaving the statement unconcluded. Finally, on August 24, 1953, she reaches for the bottle of pills.
Reading this particular work truly changed the way I think. It has made me realize and understand that Sylvia Plath has been overly romanticized ever since her tragic and untimely death. However, these journals serve as the undeniable evidence of her remarkable poetic genius. Plath had an extraordinary ability to find beauty in everything around her and within herself. Her descriptions of both internal and external experiences are nothing short of absolutely stunning. They have the power to transport the reader into her unique world, filled with vivid emotions and profound insights.
I cannot recommend this enough to anyone who has an interest in Sylvia Plath, poetry in general, the complex topic of mental illness, or women writers. It offers a rare and intimate glimpse into the mind and creative process of a literary icon. Whether you are a seasoned Plath enthusiast or just beginning to explore her works, this is a must-read that will leave a lasting impression.
3.5
The memoirs of Sylvia Plath were among the books that I was eager to buy. This book was published in 1940. Finally, I received it as a gift and started reading it as soon as it was in my hands. I read about 100 pages continuously, but then, due to various events, I started reading so many other books that this one was forgotten. Until recently, I went back to it again.
Of course, aside from the fact that the book was almost forgotten and put aside, it was also a bit disappointing. Of course, I didn't read the glass bell jar or Plath's poems. Perhaps because of this, the charm of Plath's memoirs about her mental entanglements and her efforts to create her works didn't have much appeal for me, or even her references to poems and the initial drafts of her novels were incomprehensible to me. But aside from this, in my opinion, if the memoirs were filtered a bit and not everything was put in the book, it might have been better. Of course, perhaps by reading her daily memoirs piece by piece, a better understanding of Plath's mental state could be achieved.
Of course, Ted Hughes, Plath's husband, mentions in the preface that he has destroyed Plath's last memoirs because he wants to forget. But in my opinion, perhaps those deleted and destroyed memoirs had more charm. Although they may be depressing and disheartening. Although these are just my speculations. Of course, overall, considering that Plath's memoirs were in Ted Hughes' hands and he finally published them according to his own judgment, it seems so.
Finally, when I went back to this book again after a 2-3 year break, it was interesting and reading the last 200-300 pages was very enjoyable. Plath's life and especially her relationship with Ted Hughes is fascinating. Some parts of the book where I saw Plath's anger and love towards Ted Hughes were even more interesting to me. Exactly what kind of role Hughes played for Plath. Sometimes seemingly necessary and sometimes disturbing. But unfortunately, people can't know the true reality; if such a reality exists.
Reading Plath's daily memoirs and her mental turmoil and sometimes peace and the feeling of satisfaction, which was clearly less than her turmoil, is well expressed in her words. Especially the parts of the book where Sylvia Plath talks to her therapist are really enlightening for reaching the core of her mind.
The memoirs in the book, especially those in Boston and from 1958 to 1959, were more palpable for me. It seems that Plath's writing in her memoirs also matures a little. Line by line in the book, Plath's restlessness, the mysterious connection she establishes with herself and the world, is understandable and disturbing. It becomes possible to understand what events gradually led to that tragic event in Plath's past by reading these memoirs. From working in the hospital to the injury of a bird that was brought to their house for treatment.
Many times I want to go to Plath's books and again it seems that the opportunity doesn't come, and perhaps returning to this book will create the opportunity for me to read her works soon.