Desesperación is an entertaining book with well-developed characters, a decent villain, and a fairly well-established Western American setting. However, it has a religious tone that was a bit too much for me. In reality, it's more of a 3.5-star read.
The story starts off strangely with a couple finding an abandoned doll on the road, a cat nailed to a sign at the beginning of the town, stakes everywhere, abandoned bicycles and caravans, and a metal mesh strip covered in hundreds of nails that puncture the tires of cars, just like what happened to them. But the best part comes when they encounter a chaos-loving subject who enjoys killing and kidnapping people. This being is a crazy cop who has passed through the town of Desesperación like a cyclone, leaving almost no one alive and killing any inhabitants he comes across. But what does he now intend with the people he has gradually trapped on Interstate 50?
To begin with, I have to say that the synopsis of the book promised a whole survival story in which I illusorily believed that intrigue and suspense would play an important role, but that wasn't entirely the case. One of the things that always plays a bad trick on me is assuming something about a book and finding something different. I thought the plot would purely focus on how the characters would deal with this bloodthirsty cop, and although it turned out to be somewhat similar, the truth is that it took other paths that could only provide me with less entertainment given how predictable the outcome of the story could be.
While I think this is a very entertaining book from start to finish, for me there is an element that personally took away all the tension from the plot that was being built around the villain who protagonizes the story. And that is summed up in the religious factor that addresses themes such as faith, the will of God, the mission of his followers, and the skepticism of some towards him. Because this makes the supernatural theme, the dark magic, and the macabre and chilling tone lose force in the face of the possibility that two opposing forces interact and confront each other (good and evil). One can come to the idea that in the end, faith and temperance are greater than the evil of a town as desolate and arid as Desesperación with a being that feeds on death and uses bodies as vessels.
Because yes, in the middle of the large and diverse cast of characters, a child seems to be the chosen one by God to fulfill a certain objective, as he shares a close relationship through prayers, conversations, and a great temperance that only leads him to be guided and protected by this all-powerful being. And although the message is about cruelty and how God performs miracles and sacrifices in the same package, the story could have been more than just biblical hints and references with a strong religious and moralizing content. Or at least that's something I would have preferred to have less presence and force in the book.
However, on the other hand, I really liked that in that same Western American setting, there are animals to watch out for, as there are vultures eating corpses and coyotes lurking and howling in that hostile, arid, and abandoned place, perfect for not finding the help you need and the hiding place to protect yourself. And not only do you have to watch out for them but also scorpions hidden in the sand, rattlesnakes, spiders, rats, bats, cougars, and wolves.
Desesperación is sometimes a story about magic, malevolence, lesser and greater gods, and about a shapeless being that has eyes everywhere and on which a very interesting and chilling cosmogony is built. About an evil force that through legends, myths, and superstitions forms its origin in a dark and deep hole. Other times it is an environmentalist critique of the contamination of the earth and animals, of the death and rottenness of a land that is only exploited by miners and capitalism. But most of the time it is about faith and the cruelty of God that sometimes has just cause, and in which the will, a relevant mission, and the idea that everything bad and good that happens is because it had to be that way and its motives would have to be the Lord of the sky. Needless to say, the first is what I liked the most and the last is what bothered me the most about the reading, but I put it in bold just in case.
And although the end has a raw and hard message, the final events that lead to the outcome and the confrontation between good and evil are the weakest I have read. But it doesn't surprise me, with King it's no longer a surprise that he starts well and then weakens in the last third. Although I also appreciate certain parallels to It and The Store, with some notable references to Misery. It's a pleasure to find such things if you are a忠实 follower of this gentleman.
Ah, Desperation! It is truly a delight to reread you once more. It has been approximately 20 years since I last delved into this book. While I still have a preference for it over The Regulators, I didn't quite relish it to the same extent as I did during my initial reading. There is no denying King's remarkable ability to craft a captivating tale, seamlessly integrating gore, religion, faith, horror, and a bloody, oozy atmosphere into one solid, crazy-ass novel.
Some individuals have concerns regarding the religious aspect of this book. I am by no means a religious person, but this has never truly bothered me when reading, especially in horror books. The whole good vs. evil aspect is a common theme that can be seen quite frequently. Some books are not as blatant about it as Desperation, but it is still present. I continue to categorize it all as fiction and enjoy the read for what I believe it is intended to be.
Although I did enjoy The Regulators a bit more during my second encounter, Desperation still holds a special place in my heart between the two. Why? Well, we gain more in-depth background on each of the characters, a more defined and "mature" Tak, and a more fully developed story overall. (However, I must admit that I did miss the "fun" aspect of the Motocops.)
I don't believe that either of these books receives the love and recognition they deserve. <3
4.5
Undoubtedly, it is one of the bloodiest, crudest, and most violent books that S.K. could have written. The characters are really very well-developed, and the plot is not bad considering it is a 718-page book.
Should I recommend it? Yes, for those who have read such long books. For someone who is just starting, no.
One sentence: "Lying is fiction, fiction is art, and therefore all art is a lie."
However, it's important to note that this book's extreme nature might not be for everyone. The vivid descriptions of violence and bloodshed can be quite disturbing. While the characters and plot are engaging, the length of the book might also be a deterrent for some readers.
Despite its flaws, for those who are fans of S.K.'s work and enjoy reading long, intense novels, this book could be a great addition to their collection. It offers a unique and thrilling reading experience that will keep you on the edge of your seat from beginning to end.