”It’s probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls. As little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror. One coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity.”
In the introduction to this edition, Stephen King manages to start the tingles and shivers running up and down my back before I ever read a word of the novel. When a writer like Stephen King says this is the book he wrote that scared him the most, I wonder if I am going to be opening a door in my own mind that I would rather keep triple padlocked with the key lost in a different dimension.
We’ve all speculated about all the horrors that are fighting for space in King’s mind. How does he sleep at night? I’m just a dabbler, but I will tell you that my thought is he sleeps very well as long as he is able to write each day. Whenever I am being harassed by a story or even maybe just a compelling character, I will find no peace until that concept or character is committed to paper, well pixels.
The reason that King finished this book and his initial reaction to the story was to slam it into a drawer and forget it about it is because the plotting of the novel intersected with his life in real time. His daughter, her cat, and the place they were living when he wrote the novel are all captured in the squiggles of his prose. When he finished, he realized he had written a novel he wasn’t sure he should have brought into being. Can a novel become reality?
The nightmares in this novel are too personal. It makes perfect sense to me to feel compelled to stab a sharp stake through the heart of a manuscript.
When Dr. Louis Creed moves his family from Boston to rural Maine, he certainly has preconceived notions about what it will be like to live in the country. Of course, I grew up in the country, and I could have told Louis that there are many hazards for children, pets, and even adults in the country. Leaving Boston behind might have felt like escaping the perils of the city, but all he did was jump from one frying pan into another. The semi-trucks barrelling down the highway outside their house are not only loud but also pushing the pedal to the metal. They are rolling tanks; only a tank’s top speed is 45 miles per hour while a semi on a flat road can go about as fast it wants to go.
The other problem Dr. Louis Creed has is that he doesn’t realize he is a character in a Stephen King novel. Never good. Never good at all.
There is a Pet Cemetery, spelled Sematary, not far from their house. It is a spooky place, but beyond the edges of the cemetery is where things get really interesting. The neighbor, 80 year old Jud Crandall, fills Louis in on the local lore. “‘The Micmacs believed this hill was a magic place,’ he said. ‘Believed this whole forest, from the swamp on north and east was magic. They made this place, and they buried their dead here, away from everything else. Other tribes steered clear of it—the Penobscots said these woods were full of ghosts.’”
There is talk that, if something is buried there, it will… “Sometimes, dead is better” and states that “the place has a power... its own evil purpose.” But what if something is telling you to go there? What if you wake up in the morning with your head full of restless dreams and caked mud on the bottoms of your feet?
This can’t really be happening to Louis. There must be a sensible explanation. There is no one more rational about death than Doctor Louis Creed, but death is easy to be rational about until someone you love dies and you start to believe there is another option.
The basic structure of the plot will be sussed out by readers fairly early in the book. They will know where things are heading. “It’s the road. It uses up a lot of animals, that road does. Dogs and cats, mostly, but that ain’t all.” The devil is in the details. The real horror is in the growing terror surrounding each new decision. The slow degradation of the Creed family, of rationality, and even joy kept sending chills down my back. Irresistible temptation always seems to be wrapped in evil. “Let them be anything but the creatures which leap and crawl and slither and shamble in the world between. Let there be God, let there be Sunday morning, let there be smiling Episcopalian ministers in shining white surplices... but let there not be these dark and draggling horrors on the nightside of the universe.”
Wishes coming true can be the real horror. What Stephen King does very well is create situations, even implausible situations, and convinces us that WE can be in the middle of something this insidious. We don’t feel like these things are happening to other people. We feel like we are smack dab in the middle of all the horror.
”Death is a mystery, and burial is a secret”. Highly recommended!
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A truly painful and deeply disturbing book about death, which undoubtedly ranks among my favorites by King.
Pet Sematary as a novel and an exploration of its sole theme is a vivid example of death personified day in and day out, in large numbers. One day it could be a university student; the next day, the tender pet of your home, the kind neighbor, or someone very dear in your family. From the moment the novel begins, it greets us with a death and ends precisely with death lurking in every part, on every corner, in every dark and secluded place. It starts and concludes marked by the same events.
Now, speaking a bit about the plot (and perhaps some slight spoilers), personally, I never saw that town and its paranormal atmosphere as the puppet master that led Jud to reveal the secret of the cemetery or Louis to do what he did with his family. On the contrary, the secret of Jud and the Micmac cemetery is precisely the desire for someone else to know that there is a possibility of "life" after death.
Clearly, there was something very powerful and diabolical in that place that exerted its power. But for me, it is a book that focuses purely and specifically on the mental havoc that death leaves on people, on how one is not adequately prepared to face loss and grief; that void that is difficult to fill but is taken to a truly twisted, macabre, and terribly painful extreme. Just as the master Stephen King does in one of his best novels: with spine-chilling scenes, full of suspense until a spectacular climax, and that above all, makes your hair stand on end on many occasions.
I loved it because it is a very psychological horror that keeps you tense most of the time in the scenes that occur and also makes you think; it makes you consider the fact of the possibility of giving life again to our loved ones but how this brings its serious consequences. And that is why I just think that it is a book that takes as an exercise the reflection on death and how this, perhaps, is the greatest terror of all people. It is a great book, one of the best of King, and that is why it will always be immediately in my top of the best readings and that I recommend to everyone.
Aqui jaz Matheus “Editheus” Madeira, a hypothetically heterosexual and happily married editor. After reading Stephen King's "The Cemetery", he is filled with a myriad of emotions. This work by the master Stephen King has taken him on a journey to a world completely different from the one he is accustomed to. He has dealt with a story that often makes him think about the meaning of life and death. It is precisely this kind of aesthetics in a book that moves him. It's not just a magnificent story, but there are also many elements about the meaning of our lives being questioned.
As he is used to reading before going to bed, he has even had moments of nightmares in his deepest sleeps (his fiancée can confirm this). But it's not about him feeling any kind of fear or terror about the story presented there. It's more about the way the writing can transport him to that universe. So much so that when he stops reading, he has difficulties in getting rid of the anguish and tension that comes with the unfolding of the story. It's a feeling that persists throughout the days until he actually finishes this reading.
That said, at this moment, he consecrates his rating in front of this excellent public of the live and this woman by his side. For him, this cemetery was more of an "inteirotério" (a play on words meaning something like "entirely fascinating") because of how fascinating he found the story. However, some details at the end didn't appeal to him as much, which makes him sanction a total of 4.7 famous "edilikes" (a made-up term perhaps related to his editorial opinion). Thank you for the company in this review. Follow him on TikTok @editheusreviewsforgoodreadersofliteratury and also on his Clubhouse. A big kiss to all.