Carver, one of the two best short story writers of the past century and one of the great names in American literature, is one of those writers who remains relevant by dealing with themes that are current topics. And the state of Oregon turns his works into high literature in the small format of short stories.

What catches my attention is the quality of this book. We will encounter more than twenty short stories that reflect a moment in life. And it seems to me that the secret lies in the fact that all the texts that make up this "Will You Please Be Quiet, Please?" maintain the same level, and there is no story that stands out above the rest.

This book offers a unique reading experience, allowing readers to explore the depths of human nature and the various aspects of life through Carver's masterful storytelling. Each story is like a small gem, shining with its own light and revealing something profound about the human condition.

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Carver's first collection brought a new lease on life to the short story. His pared-down style, which later became his trademark, revealed the coexistence of humour and tragedy within the hearts of ordinary people. This collection won him a readership that expanded with each subsequent outstanding collection of stories, poems, and essays published in the last eleven years of his life.

Having held this for so long, this visit feels like a complete reboot. Carver wrote in a way similar to how Hopper painted, perhaps the connection lies in the diner, combined with spartanism and, of course, voyeurism.

The collection includes stories such as "Fat," "Neighbours," "Note," and many more. Each story offers a unique perspective on the human condition.

Some of his other notable works include "What We Talk About When We Talk About Love," "Cathedral," and "Where I'm Calling From: New and Selected Stories."

Carver's writing continues to captivate readers and inspire new generations of writers.

"Vuoi star zitta, per favore?" (Will You Please Be Quiet, Please?) is Carver's first collection of short stories.

It consists of twenty-two tales of men and women in distress. These poor souls are sometimes resigned to living the existence they have found themselves in, and sometimes trapped within a reality that is all the more tragic because it is outwardly coated with a veneer of normality, from which they struggle in vain to escape.

It is a desolate gallery of economic problems, failing marriages, bankruptcies, personal dissatisfactions, and incomprehensibility, set against the backdrop of small towns or vast rural spaces in upper California, Oregon, and the state of Washington up to the Canadian border.

But above all, it is a splendid book, it is Literature with a capital L, worthy of five stars.

PS: However, there are some stories that I liked more than others. In order: "They're Not Your Husband", "Neighbors", "What We Talk About When We Talk About Love", "A Small, Good Thing", "Why Don't You Dance?", "The Student's Wife", "Put Yourself in My Shoes", "Jerry and Molly and Sam", "So Much Water So Close to Home", "Fat", "Are These Actual Miles?".

And then I keep thinking about the letter of that poor mother terrorized by her sadistic son... A story different from all the others, both in form and in the thriller-like tension that permeates it.